Cinco estudantes se conhecem numa detenção um sábado ed escobrem que tem muitas coisas en comuns.Cinco estudantes se conhecem numa detenção um sábado ed escobrem que tem muitas coisas en comuns.Cinco estudantes se conhecem numa detenção um sábado ed escobrem que tem muitas coisas en comuns.
- Prêmios
- 4 vitórias no total
Jonathan Chapin
- Janitor
- (não creditado)
John Hughes
- Brian's Father
- (não creditado)
Enredo
Você sabia?
- CuriosidadesThe scene in which all characters sit in a circle on the floor in the library and tell stories about why they were in detention was not scripted. Writer and director John Hughes told them all to ad-lib.
- Erros de gravaçãoWhen the kids are running through the halls of the school, they run past a window that seemingly reveals it is dark outside. In actual fact, they are running past doors leading into classrooms, in which the lights are turned off because it is the weekend.
- Citações
Andrew Clark: We're all pretty bizarre. Some of us are just better at hiding it, that's all.
- Cenas durante ou pós-créditosOpens with the following which then explodes from the screen. "And these children that you spit on as they try to change their worlds; are immune to your consultations, they are quite aware of what they are going through." -David Bowie
- Versões alternativasWhen they sneak out of the library, there is a scene where Dick is at the vending machine getting some candy. He loses his money and starts kicking the machine. Every one has to run by this door one at a time to get where they are going. They all run by just missing being noticed. Ally Sheedy however slowly walks by stops and stares at Dick kicking the machine then slowly walks past unnoticed. Molly Ringwald then says "She's nuts but she's cool"
- ConexõesEdited into The Breakfast Club: Deleted Scenes (2018)
- Trilhas sonorasDon't You (Forget About Me)
Music and lyrics by Keith Forsey and Steve Schiff
Produced by Keith Forsey
Performed by Simple Minds
Avaliação em destaque
This movie is one of the best, if not THE best, 80's film there is. The fact is, every teen character in this movie can be related to someone we knew in high-school. As a child of the 80's, I can honestly say that this is a representative cross-section of every high school in North America. The geek, the jock, the outcast, the rich pretty-girl snob, and the future criminal. They all exist, to some degree or another, in the classrooms of every high school on the continent.
What makes this film rise above the rest is the character development. Every character in this film is three-dimensional. They all change, in one way or another, by the end of the film. Whether or not things remain the way they are long after this film ends is unknown, and that adds to the rama. The most important scene in this film is when the characters, as a group, all open up to one-another and describe the hell that their daily school routines are in a personal fashion. Nobody likes the role they must inevitably portray in the high-school scene, but the fact is, it is often inescapable. This film gives the viewer some insight into how the other people around them might have felt during that particular time in their lives.
Each of the main characters in this film shines, but Judd Nelson (John Bender) and Emilio Estevez (Andrew Clark) rise above the rest. Simply put, these two actors each put their heart and soul into their respective characters, and it shows.
At the end of the film, the viewer is left to make their own conclusions as to how things will carry forth. And I'm sure that most people will do that. This is one movie that left me feeling both happy and sad for each of the characters, and it isn't easy to make me care about a film in that way. Even if you aren't a fan of the 80's genre, this isn't one you would want to miss.
My Rating: 10/10
What makes this film rise above the rest is the character development. Every character in this film is three-dimensional. They all change, in one way or another, by the end of the film. Whether or not things remain the way they are long after this film ends is unknown, and that adds to the rama. The most important scene in this film is when the characters, as a group, all open up to one-another and describe the hell that their daily school routines are in a personal fashion. Nobody likes the role they must inevitably portray in the high-school scene, but the fact is, it is often inescapable. This film gives the viewer some insight into how the other people around them might have felt during that particular time in their lives.
Each of the main characters in this film shines, but Judd Nelson (John Bender) and Emilio Estevez (Andrew Clark) rise above the rest. Simply put, these two actors each put their heart and soul into their respective characters, and it shows.
At the end of the film, the viewer is left to make their own conclusions as to how things will carry forth. And I'm sure that most people will do that. This is one movie that left me feeling both happy and sad for each of the characters, and it isn't easy to make me care about a film in that way. Even if you aren't a fan of the 80's genre, this isn't one you would want to miss.
My Rating: 10/10
- RueMorgue
- 29 de mai. de 2000
- Link permanente
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- El club de los cinco
- Locações de filme
- Maine North High School - 9511 Harrison Street, Des Plaines, Illinois, EUA(school exterior, school interior hallways, library used as model for re-build in gym, football field - fist-pump scene)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 45.875.171
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.107.599
- 18 de fev. de 1985
- Faturamento bruto mundial
- US$ 51.525.171
- Tempo de duração1 hora 37 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente