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- CuriosidadesIn 1981, Peter Brook Brook staged his adaption of Georges Bizet's opera "Carmen". He adapted the script with Jean-Claude Carrière, and the original score was adapted for a chamber orchestra by Marius Constant. The show premiered in Théâtre des Bouffes du Nord, Paris in November 1981. In order to have daily performances, he had to rely on three different casts, so the singer could rest in between.
He went on by deciding to record the performances on film. He emptied all seats, and restaged his direction using all parts of the theater. Furthermore, he kept the three different casts to direct three parallel movies.
- ConexõesVersion of Carmen o la hija del contrabandista (1911)
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Many "stagy" productions come across on screen as little more than aides memoires--referring the viewers back to the 'real' production.
Brook manages to create an intense, even overwhelming cinematic experience from this condensed and almost rarefied production, combining Bizet's music with a balletic performance of the drama. He has tried more than once to make successful film out of great stage productions (Marat/Sade, Mahabharata)--this is by far the greatest success *as film.*
Brook manages to create an intense, even overwhelming cinematic experience from this condensed and almost rarefied production, combining Bizet's music with a balletic performance of the drama. He has tried more than once to make successful film out of great stage productions (Marat/Sade, Mahabharata)--this is by far the greatest success *as film.*
- tfdill
- 12 de dez. de 2001
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- Die Tragödie der Carmen
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