Vidas sem Rumo

Título original: The Outsiders

1983
14
1 h 31 min

AVALIAÇÃO DA IMDb

7,0/10

102 mil

SUA AVALIAÇÃO

POPULARIDADE

250

118

Tom Cruise, Matt Dillon, Emilio Estevez, Rob Lowe, Patrick Swayze, C. Thomas Howell, and Ralph Macchio in Vidas sem Rumo (1983)

Trailer for this classic based on the novel by S.E. Hinton

Reproduzir trailer1:11

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Coming-of-Age Teen Drama Crime Drama

A rivalidade entre duas bandas, uma pobre e outra rica, fica mais tensa quando um dos membros mata o oposto.A rivalidade entre duas bandas, uma pobre e outra rica, fica mais tensa quando um dos membros mata o oposto.A rivalidade entre duas bandas, uma pobre e outra rica, fica mais tensa quando um dos membros mata o oposto.

Direção
- Francis Ford Coppola
Roteiristas
- Kathleen Rowell
- S.E. Hinton
Artistas

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

7,0/10

102 mil

SUA AVALIAÇÃO

POPULARIDADE

250

118

Direção
- Francis Ford Coppola
Roteiristas
- Kathleen Rowell
- S.E. Hinton
Artistas

Veja as informações de produção no IMDbPro

Prêmios
- 1 vitória e 4 indicações no total

Curiosidades
In the poster for the film, the Greasers are laughing as Johnny is smirking. This candid shot was taken during the photo session where the actors were supposed to look tough at the camera. What happened was that when Leif Garrett went to the table, Ralph Macchio said, "Hey, Leif, that's for the talent." This comment cracked up the cast, and the photo was used.

Erros de gravação
Dallas falling out of the chair at the Drive-in (at 07:18 in 91 m.) was an accident and was not rehearsed. Ponyboy looks at the camera expecting Francis Ford Coppola to say cut, but they kept the shot instead.

Citações
Ponyboy: Nature's first green is gold / Her hardest hue to hold / Her early leaf's a flower / But only so an hour / Then leaf subsides to leaf / So Eden sank to grief / So dawn goes down to day / Nothing gold can stay.
Johnny: Where did you learn that? That's what I meant.
Ponyboy: Robert Frost wrote it. I always remembered it because I never quite knew what he meant by it.

Cenas durante ou pós-créditos
Closing dedication: This film is dedicated to the people who first suggested that it be made... Librarian Jo Ellen Misakian and the students of the Lone Star School in Fresno, California.

Versões alternativas
The 2005 special edition contains a re-edited cut of the film, a new soundtrack and 22 minutes of additional footage, including:
an extended opening scene where Ponyboy is attacked by the Socs when walking home from a Paul Newman movie. The principle Greasers are also introduced. Later, Ponyboy and Sodapop talk to each other in their bedroom.
a scene where Ponyboy asks some farmers how to reach Jay Mountain. He claims that he's playing "army" and "needs to report to base."
an alternate scene in the church where Ponyboy imagines that both Sodapop and Darry are present.
a short scene where Ponyboy splashes some water on his face outside the church while Johnny is out buying supplies.
a scene in the church where Ponyboy and Johnny become emotional over the events of the past 24 hours.
extended reading of "Gone With the Wind" in the church.
a short scene where Ponyboy finds Tim sitting on his couch in the morning.
a small extension to Ponyboy and Two-Bit at the hospital where a doctor allows them access to Johnny's room after being denied entrance by a nurse.
a short scene where Two-Bit and Ponyboy encounter Johnny's mother at the hospital.
Following the death of Dally, Darry lashes out at the cops while Ponyboy faints. Later, we see Sodapop and Darry caring for him in bed while Ponyboy asks if someone is sick, not realizing that he is.
A courtroom scene where Cherry, Randy, and Ponyboy all make statements. In the end, Ponyboy is acquitted and left in the custody of Darry.
A scene where Ponyboy runs into Cherry at school, but she walks away from him. Ponyboy's teacher also informs him that he is flunking, but allows him to write a paper on a personal experience in order to raise his grade.
A dinner scene where Sodapop becomes angry that he's always stuck in the middle between Ponyboy and Darry's tug of war and runs away. When they eventually catch him, they agree to stop fighting all the time.

Conexões
Featured in Siskel & Ebert & the Movies: Tom Cruise: The Star Next Door (1990)

Trilhas sonoras
Stay Gold
Sung by Stevie Wonder
Music by Carmine Coppola
Lyrics by Stevie Wonder
Courtesy of Motown Record Corporation
Recording Engineer: Gary Olazabal
Assistant Recording Engineer: Bob Harlan

Avaliações de usuários438

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Avaliação em destaque

What a shame...

I loved this book as a kid, and I work with troubled kids who still love the book. I've seen this film a number of times over the years, and am still disappointed that, with such a FABULOUS cast, that it misses the grit and passion of the story.

Ya know what did it? The score. I understand that FFCoppola wants to make his films a family affair, but did he actually LISTEN to what his dad wrote? Sappy strings and a STEVIE WONDER BALLAD???? (ok, that part isn't her fault - what was FFC thinking???). What about some of the early rock songs of the time? I know that's been done a lot, and maybe they didn't want to "date" the film, but the fashion and language and cars and dress date it already; honestly, I've never heard a musical score that was so badly matched to a story. Heh, might as well get Danny Elfman (great score composer, btw) to write the scores for Star Wars.

Now, if you want to hear a terrific score that actually becomes a character of a story, see "The Shawshank Redemption"... the music in that amazing film, to me, is Andy's voice... listen for it, it expresses what's going on inside of Andy, and occasionally the other characters. THAT is what a film score is supposed to do.