O Fiel Camareiro

Título original: The Dresser

1983
PG
1 h 58 min

AVALIAÇÃO DA IMDb

7,5/10

5,8 mil

SUA AVALIAÇÃO

Home Video Trailer from Columbia Tristar

Reproduzir trailer2:38

1 vídeo

29 fotos

Drama

Adicionar um enredo no seu idiomaPersonal assistant Norman struggles to get deteriorating veteran actor Sir through a difficult performance of King Lear.Personal assistant Norman struggles to get deteriorating veteran actor Sir through a difficult performance of King Lear.Personal assistant Norman struggles to get deteriorating veteran actor Sir through a difficult performance of King Lear.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

7,5/10

5,8 mil

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Indicado a 5 Oscars
- 5 vitórias e 17 indicações no total

Vídeos1

Trailer 2:38

The Dresser (1983)

Fotos29

+ 22

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Enredo

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Curiosidades
Ronald Harwood based his play "The Dresser", and this movie's subsequent screenplay, on the biography "Sir Donald Wolfit CBE: His life and work in the Unfashionable Theatre", and on his own experiences as an actor and dresser for renowned Shakespearian actor Donald Wolfit. Harwood's repertory ensemble, Shakespeare Company, frequently performed Shakespeare's plays, and Harwood was Wolfit's dresser between 1953 and 1958.

Erros de gravação
After Sir and Norman leave the marketplace, they're passed by a Routemaster bus. These buses were first used in London in 1954, and weren't used outside London until the 1970's.

Citações
Sir: The critics? No, I have nothing but compassion for them. How can I hate the crippled, the mentally deficient, and the dead?

Conexões
Edited into The Clock (2010)

Trilhas sonoras
(We're Going To Hang Out) The Washing the Siegfried Line
(uncredited)
Music by Michael Carr
Lyrics by Jimmy Kennedy
Sung by Tom Courtenay (as Norman)

Avaliações de usuários46

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Avaliação em destaque

9/10

Brilliant and illuminating and moving

Albert Finney and Tom Courtenay are brilliant as Sir and his Dresser. Of course the play is brilliant to begin with and nothing can compare with the immediacy and collegiality of theatre, and I think you listen better in theatre; but on the screen we become more intimate, we're 'up-close' more than we are in the theatre, we witness subtle changes in expression, we "see" better as well as listen. Both the play and the movie are wondrous: moving, intelligent, illuminating--of the backstage story of the company, of historical context, of the two main characters, and of the parallel characters in "Lear" itself. If you cannot get to see it in a theatre (I don't imagine it's produced much these days) then, please, do yourself a favor, and get the video.