Italianamerican

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Catherine Scorsese and Charles Scorsese in Italianamerican (1974)

Adicionar um enredo no seu idiomaMartin Scorsese interviews his mother and father about their life in New York City and the family history back in Sicily. These are two people who have lived together for a long time and kno... Ler tudoMartin Scorsese interviews his mother and father about their life in New York City and the family history back in Sicily. These are two people who have lived together for a long time and know each other very well.Martin Scorsese interviews his mother and father about their life in New York City and the family history back in Sicily. These are two people who have lived together for a long time and know each other very well.

Direção
- Martin Scorsese
Roteiristas
- Lawrence D. Cohen
- Mardik Martin
Artistas

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

7,6/10

3,9 mil

SUA AVALIAÇÃO

Direção
- Martin Scorsese
Roteiristas
- Lawrence D. Cohen
- Mardik Martin
Artistas

Veja as informações de produção no IMDbPro

Prêmios
- 4 vitórias no total

Fotos27

+ 23

Elenco principal3

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Catherine Scorsese

Self

Charles Scorsese

Self

Martin Scorsese

Self
(não creditado)

Direção
- Martin Scorsese
Roteiristas
- Lawrence D. Cohen
- Mardik Martin
Elenco e equipe completos
Produção, bilheteria e muito mais no IMDbPro

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Curiosidades
This film is included in the "Martin Scorsese Shorts" set, released by the Criterion Collection, spine #1,030.

Citações
Catherine Scorsese: I remember it, one time, he had a fig tree. He used to love fig trees. My mother couldn't stand them. In the wintertime you had to cover them, very, very well; otherwise, they froze. One winter, when he did climb up, he was gettin' old, he fell off the ladder and he got hurt. And my mother was so angry. She says to him, "I hope those fig trees die. I hope they never bloom again." And, then, of course, my mother became ill and the next winter she passed away and the trees never bloomed anymore. It was just like, she took - she took them with her. And that was that.

Cenas durante ou pós-créditos
The Sauce: Singe an onion & a pinch of garlic in oil. Throw in a piece of veal, a piece of beef, some pork sausage & a lamb neck bone. Add a basil leaf. When the meat is brown, take it out, & put it on a plate. Put in a can of tomato paste & some water. Pass a can of packed whole tomatoes through a blender & pour it in. Let it boil. Add salt, pepper, & a pinch of sugar. Let it cook for awhile. Throw the meat back in. Cook for 1 hour. Now make the meatballs. Put a slice of bread without crust, 2 eggs, & a drop of milk, into a bowl of ground veal & beef. Add salt, pepper, some cheese & a few spoons of sauce. Mix it with your hands. Roll them up, throw them in. Let it cook for another hour.

Conexões
Featured in Scene by Scene: Martin Scorsese (1998)

Avaliações de usuários12

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Avaliação em destaque

10/10

A film that Scorseses detractors-and admirers-should play close attention to.

I recently read a pretty vicious attack on Scorsese in an excellent evangelical periodical, Books and Culture. It claimed Scorsese is, in a word, bloodthirsty, and still a street punk at heart.Granted, Scorsese has done his share of bloody films, but the violence which obsesses him isn't PHYSICAL, its emotional. In addition, Scorsese isnt simply obsessed with blood..hes obsessed with honor, tradition,and family. A clue to the shallowness of this critique of Scorsese could be found in the fact that the author actually thought Age of Innocence was just a studio assignment,which Scorsese agreed to do reluctantly. In fact, Scorsese obsessed over Wharton's novel for a decade after his pal, Jay Cocks, gave it to him. Everyone of Scorseses critics should watch this heart-felt, tender, and utterly bloodless film. I really hope he finally gets around to doing his long-planned feature film about his parents courtship,and his own boyhood in little Italy. P.S.the film also inspired me to buy The Scorsese Family cookbook!