Adicionar um enredo no seu idiomaA communal drug family begins to dissolve from within while a University student watches and records it all.A communal drug family begins to dissolve from within while a University student watches and records it all.A communal drug family begins to dissolve from within while a University student watches and records it all.
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- 2 indicações no total
Lily Glidden
- The Family
- (as Lilly Glidden)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- ConexõesFeatured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 5 (1998)
- Trilhas sonorasLewis is Crazy
By Lewis Furey
Avaliação em destaque
The Rubber Gun is a fairly typical Canadian drama from the 70's though the subject matter may not be quite so common for the time.
The story centers around a drug commune in Montreal. It consists of a few main figures, and some minor roles. The commune is bigger than it appears given the climax. Most of the film centers around just 5 characters and the police. Communes like this wasn't so unusual in the 60's, obviously, but this story focuses on one of these commune's years after the fact and you can sense a struggle brewing within as the years have gone by.
The story opens with a suitcase full of coke arriving and is put in a locker in a station waiting for pickup. The members of the commune go to see if they can pick it up but find the station is swarming with men they quickly suspect are plain clothes police detectives waiting for someone to take a chance and pick it up. While the commune wrestle with the idea of taking the suitcase or plotting a way to take it, a University student joins their commune and makes a study of them without their knowledge. The student and the leader of the commune played by Stephen Lack end up living together while the commune begins to break apart.
There's some serious gay undertones in this but you get the sense that the adults in this commune had been screwing each other while they were high and it didn't really mean anything. The scene with Peter and Stephen acting like they were coming on to boys playing hockey (mentioned by another reviewer) was more like dumb joking than a real attempt to come on to them. They never actually approach any of them.
Two members of the commune have a young daughter and you feel for this character having to be brought up in this atmosphere. Children were bound to be in real communes of these kind. The girl. Named Rainbow is still too young to understand her surroundings but Lack's character shares the sympathy a viewer would have for the child in one scene. You don't get a sense that she's abused in any way, though it's hard to ignore how poor her environment is and what damage that will cause her in the long run.
Stephen Lack's character to me, also sums up the state of these communes in a single scene. He discusses how these older druggies spend most of their time getting high just to reminisce about the old times when they got high and nothing more. "They do it to feel 5 years younger" At some point people have to move on from the past and that's where the conflict in the story really begins. Some characters want nothing more but to break away from it and some just can't see a reason why they should ever bother to try and do that.
The film itself has a Cassavetes feel to it. A gritty kind of realism in the dialog and nature of the scenes depicted. If you want to know what I mean and you can't find this film, watch Cassavetes' Faces to understand the comparison. You don't get a sense that anyone in this is really acting. You feel like these people really are like this. I'm sure some of them did actually spend time in these types of communes but I'm sure this story is entirely fiction even though most character names match the actor's names.
I adore the soundtrack and the way it is used. The soundtrack is made up entirely of songs performed by Lewis Furey from his self titled debut album, and it fits this movie beautifully.
Not an easy movie to find. Not by any stretch of the imagination. I more or less stumbled across it by accident. I do recommend seeing it if it ever surfaces.
The story centers around a drug commune in Montreal. It consists of a few main figures, and some minor roles. The commune is bigger than it appears given the climax. Most of the film centers around just 5 characters and the police. Communes like this wasn't so unusual in the 60's, obviously, but this story focuses on one of these commune's years after the fact and you can sense a struggle brewing within as the years have gone by.
The story opens with a suitcase full of coke arriving and is put in a locker in a station waiting for pickup. The members of the commune go to see if they can pick it up but find the station is swarming with men they quickly suspect are plain clothes police detectives waiting for someone to take a chance and pick it up. While the commune wrestle with the idea of taking the suitcase or plotting a way to take it, a University student joins their commune and makes a study of them without their knowledge. The student and the leader of the commune played by Stephen Lack end up living together while the commune begins to break apart.
There's some serious gay undertones in this but you get the sense that the adults in this commune had been screwing each other while they were high and it didn't really mean anything. The scene with Peter and Stephen acting like they were coming on to boys playing hockey (mentioned by another reviewer) was more like dumb joking than a real attempt to come on to them. They never actually approach any of them.
Two members of the commune have a young daughter and you feel for this character having to be brought up in this atmosphere. Children were bound to be in real communes of these kind. The girl. Named Rainbow is still too young to understand her surroundings but Lack's character shares the sympathy a viewer would have for the child in one scene. You don't get a sense that she's abused in any way, though it's hard to ignore how poor her environment is and what damage that will cause her in the long run.
Stephen Lack's character to me, also sums up the state of these communes in a single scene. He discusses how these older druggies spend most of their time getting high just to reminisce about the old times when they got high and nothing more. "They do it to feel 5 years younger" At some point people have to move on from the past and that's where the conflict in the story really begins. Some characters want nothing more but to break away from it and some just can't see a reason why they should ever bother to try and do that.
The film itself has a Cassavetes feel to it. A gritty kind of realism in the dialog and nature of the scenes depicted. If you want to know what I mean and you can't find this film, watch Cassavetes' Faces to understand the comparison. You don't get a sense that anyone in this is really acting. You feel like these people really are like this. I'm sure some of them did actually spend time in these types of communes but I'm sure this story is entirely fiction even though most character names match the actor's names.
I adore the soundtrack and the way it is used. The soundtrack is made up entirely of songs performed by Lewis Furey from his self titled debut album, and it fits this movie beautifully.
Not an easy movie to find. Not by any stretch of the imagination. I more or less stumbled across it by accident. I do recommend seeing it if it ever surfaces.
- vonnoosh
- 29 de nov. de 2017
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Bilheteria
- Orçamento
- CA$ 90.000 (estimativa)
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By what name was The Rubber Gun (1977) officially released in India in English?
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