Shiawase no kiiroi hankachi
- 1977
- 1 h 48 min
AVALIAÇÃO DA IMDb
7,3/10
1,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThree complete strangers embark on a road-trip to Hokkaido.Three complete strangers embark on a road-trip to Hokkaido.Three complete strangers embark on a road-trip to Hokkaido.
- Prêmios
- 27 vitórias e 2 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThis film is set in Hokkaido which is an Ireland sized island north of mainland Japan. Haokkaido is not as densely populated as other parts of Japan and has had a good network of decent roads built. These roads are mostly traffic jam free. It is a popular place to visit for a driving holiday.
- ConexõesReferenced in NHK supesharu: Sayonara eiga no furusato: Ofuna satsueijo (2000)
Avaliação em destaque
Although it is said that Vivir Es Facil con los ojos cerrados (2013) is based on an independent memoir, the similarities of the film are so pronounced that I wonder if that Spanish notable was actually written with this film in mind.
Three strangers temporarily at the seams of Japanese society, unemployed and running away from certain emotional pain, find each other on a meandering pointless road trip. The mix is one younger man, one younger woman, and one middle-aged man, must like in Vivir Es Facil.
The younger man is brash and awkward, the middle aged man experienced and sturdy, and the girl feminine - that is, supportive but hesitant. Yet the interplay of three personalities forced into a road trip isn't the main dynamic here. In fact, all three of them, young and old alike, are lost and emotionally fragile, although this fragility appears in different ways and situations.
Whereas in Vivir, the middle-aged man is a mental case, here he actually fills a little bit of his role, steadying the outbursts of the younger man providing a voice of experience and reason at various points. Yet both of the roles channel a little bit of the child. In Vivir, the man had a childlike anglophilia and love for the Beatles; here the man makes a mess of his personal life and runs away from said mess like a frightened child.
Too haphazard and strained to be a great movie, the performances are strong and I appreciated the substantial shots of rural Japan in the 1970s. The ending is surprising, even shocking, and you wouldn't expect such a simple thing to be, so that was a pleasant surprise.
Also, the Enka soundtrack is fantastic.
Honourable Mentions: Vivir es facil con los ojos cerrados (2013) - such a similar movie, you'd think they were related. A middle-aged man picks up two young runaways and they go on a road trip through Spain to so the man can go meet with one of the Beatles. Along the way there's some complaining about Franco's regime and scenes functioning as critiques of violence which are not well done. The central theme of handkerchief is more about how people are still trying to find themselves at any age and it doesn't try to get more symbolic or deep than its britches will support.
Three strangers temporarily at the seams of Japanese society, unemployed and running away from certain emotional pain, find each other on a meandering pointless road trip. The mix is one younger man, one younger woman, and one middle-aged man, must like in Vivir Es Facil.
The younger man is brash and awkward, the middle aged man experienced and sturdy, and the girl feminine - that is, supportive but hesitant. Yet the interplay of three personalities forced into a road trip isn't the main dynamic here. In fact, all three of them, young and old alike, are lost and emotionally fragile, although this fragility appears in different ways and situations.
Whereas in Vivir, the middle-aged man is a mental case, here he actually fills a little bit of his role, steadying the outbursts of the younger man providing a voice of experience and reason at various points. Yet both of the roles channel a little bit of the child. In Vivir, the man had a childlike anglophilia and love for the Beatles; here the man makes a mess of his personal life and runs away from said mess like a frightened child.
Too haphazard and strained to be a great movie, the performances are strong and I appreciated the substantial shots of rural Japan in the 1970s. The ending is surprising, even shocking, and you wouldn't expect such a simple thing to be, so that was a pleasant surprise.
Also, the Enka soundtrack is fantastic.
Honourable Mentions: Vivir es facil con los ojos cerrados (2013) - such a similar movie, you'd think they were related. A middle-aged man picks up two young runaways and they go on a road trip through Spain to so the man can go meet with one of the Beatles. Along the way there's some complaining about Franco's regime and scenes functioning as critiques of violence which are not well done. The central theme of handkerchief is more about how people are still trying to find themselves at any age and it doesn't try to get more symbolic or deep than its britches will support.
- fatcat-73450
- 12 de jul. de 2023
- Link permanente
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is The Yellow Handkerchief?Fornecido pela Alexa
Detalhes
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was Shiawase no kiiroi hankachi (1977) officially released in Canada in English?
Responda