Noivo Neurótico, Noiva Nervosa

Título original: Annie Hall

1977
14
1 h 33 min

AVALIAÇÃO DA IMDb

8,0/10

282 mil

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Woody Allen and Diane Keaton in Noivo Neurótico, Noiva Nervosa (1977)

Reproduzir trailer2:12

3 vídeos

99+ fotos

Romantic Comedy Comedy Romance

O comediante e neurótico de Nova York Alvy Singer se apaixona pela boba Annie Hall.O comediante e neurótico de Nova York Alvy Singer se apaixona pela boba Annie Hall.O comediante e neurótico de Nova York Alvy Singer se apaixona pela boba Annie Hall.

Direção
- Woody Allen
Roteiristas
- Woody Allen
- Marshall Brickman
Artistas

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

8,0/10

282 mil

SUA AVALIAÇÃO

POPULARIDADE

2.941

235

Direção
- Woody Allen
Roteiristas
- Woody Allen
- Marshall Brickman
Artistas

Veja as informações de produção no IMDbPro

Ganhou 4 Oscars
- 32 vitórias e 9 indicações no total

Vídeos3

'Emperor' Star Kat Graham Was Inspired by This Hollywood Icon

Fotos211

+ 205

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Curiosidades
Truman Capote: The passerby Alvy refers to as "the winner of the Truman Capote look-alike contest" is, in fact, the real Truman Capote.

Erros de gravação
In the final credits, Christopher Walken's name is misspelled, reading as "Christopher Wlaken".

Citações
[In California]
Annie Hall: It's so clean out here.
Alvy Singer: That's because they don't throw their garbage away, they turn it into television shows.

Versões alternativas
In the beginning of the film, Alvy Singer paraphrases what is ostensibly a quote from comedian Groucho Marx. When the movie was dubbed in socialist Hungary, the quote was instead attributed to Buster Keaton at the strict insistence of the dubbing studio, for fear that audiences might confuse Groucho Marx with philosopher and socialist figure Karl Marx.

Conexões
Edited into Intimate Portrait: Diane Keaton (2001)

Trilhas sonoras
Seems Like Old Times
Music by Carmen Lombardo
Lyrics by John Jacob Loeb
Sung by Diane Keaton (uncredited), accompanied by Artie Butler (uncredited)

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A wonderfully modern romance

Woody Allen's masterpiece will always be "Annie Hall." What is most remarkable today about this film is the way Allen presents it. It's a movie about a relationship. But rather than taking a linear approach, Allen plays with time. We see the middle, the begining, and the end. And not always in that order. Allen also breaks the fourth wall a lot and has many dream sequences and asides which add to the complexity of the characters. This is a highly autobiographical film and Allen pulls no punches. This movie is not about romance in the way that "Breakfast at Tiffany's" is. Rather, "Annie Hall" is a deconstruction of a romance. At times it is funny and heartbreaking and always classic. "Love fades," indeed.