AVALIAÇÃO DA IMDb
7,3/10
2,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe second installment in the "That's Entertainment" trilogy features more classic scenes from MGM's vast musical library with the addition of comedy and drama films.The second installment in the "That's Entertainment" trilogy features more classic scenes from MGM's vast musical library with the addition of comedy and drama films.The second installment in the "That's Entertainment" trilogy features more classic scenes from MGM's vast musical library with the addition of comedy and drama films.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 vitória e 2 indicações no total
Judy Garland
- Jo Hayden
- (cenas de arquivo)
- …
Mickey Rooney
- Clips from 'Girl Crazy' & 'Words and Music' etc.
- (cenas de arquivo)
Bing Crosby
- Clip from 'Going Hollywood'
- (cenas de arquivo)
Robert Taylor
- Clip from 'Broadway Melody of 1936'
- (cenas de arquivo)
Greer Garson
- Katherine
- (cenas de arquivo)
Clark Gable
- Clips from 'Gone with the Wind' & 'Strange Cargo' etc.
- (cenas de arquivo)
Kathryn Grayson
- Clip from 'Lovely to Look At'
- (cenas de arquivo)
Leslie Caron
- Lili
- (cenas de arquivo)
- …
Jeanette MacDonald
- Clips from 'New Moon' & 'Broadway Serenade'
- (cenas de arquivo)
Nelson Eddy
- Clip from 'New Moon'
- (cenas de arquivo)
Doris Day
- Ruth Etting
- (cenas de arquivo)
Ann Miller
- Clip from 'Kiss Me Kate'
- (cenas de arquivo)
Ann Sothern
- Dixie Donegan
- (cenas de arquivo)
Frank Sinatra
- Clarence Doolittle
- (cenas de arquivo)
- …
Eleanor Powell
- Clips from 'Born to Dance' & 'Lady Be Good'
- (cenas de arquivo)
Enredo
Você sabia?
- CuriosidadesThis was Fred Astaire's final dance performance on film.
- Erros de gravaçãoDuring the clip from Dá-me um Beijo (1953), Gene Kelly identifies the choreographer as Hermes Pan. But the clip shown, "From This Moment On", was actually choreographed by Bob Fosse, one of the dancers.
- Citações
Gene Kelly: Fred, I hear tap dancing is popular again.
- Cenas durante ou pós-créditosThe opening credits introduce not only hosts Fred Astaire and Gene Kelly, but mention all the other performers from the clips before the movie's title card; all are done in different styles: names drawn in the sand, scrolls, inside a book, tiles spelled out on satin, inside a file cabinet, typed on stationery, branding iron, the 'Rank Organisation' gong, etc.
- Versões alternativasThe original release print ran 133 minutes and contained a handful of sequences that were ultimately shorn from the general release print. In the first section, you can see Astaire and Kelly rotating enormous photos of each song that appears in that section. One of them is "You Stepped Out of a Dream" from Ziegfeld Girl (1941), which originally appeared between "La Chica Choca" and "I Wanna Be a Dancin' Man." In the Great Songwriters section, "Lonesome Polecat" from Seven Brides For Seven Brothers (1954) originally appeared between "All of You" and "The Lady is a Tramp." In the 'Shubert Alley' sequence, Astaire and Kelly dance among a series of marquee song titles that eventually appear in the section. Among them are "Concerto in F" from An American In Paris (1951) which originally appeared between "Triplets" and "Have Yourself a Merry Little Christmas" (in fact, due to hasty editing, Oscar Levant's final "Bravo!" can still be heard over the first image of Judy Garland and Margaret O'Brien on all VHS and laserdisc editions; it was edited out of the DVD and Blu-ray issues). Fred Astaire's "Drum Crazy" from Easter Parade (1948) was also slated for this sequence (replaced by "Steppin' Out With My Baby"), as was "The Stanley Steamer" from Summer Holiday (1948), which was to have capped the entire section (it was ultimately replaced by Gene Kelly's "I Got Rhythm").
- ConexõesFeatured in MGM/UA Home Video Laserdisc Sampler (1990)
- Trilhas sonorasOverture
(1976) (uncredited)
"That's Entertainment" (1953) (uncredited)
Music by Arthur Schwartz
Lyrics by Howard Dietz
"Temptation" (1933) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
"Hi-Lili, Hi-Lo" (1953) (uncredited)
Music by Bronislau Kaper
Lyrics by Helen Deutsch
"Be A Clown" (1948) (uncredited)
Music and Lyrics by Cole Porter
"Good Morning" (1939) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
"Broadway Rhythm" (1935) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
"Have Yourself A Merry Little Christmas" (1944) (uncredited)
Music and Lyrics by Hugh Martin and Ralph Blane
Performed by the M-G-M Studio Orchestra Conducted by Nelson Riddle
Avaliação em destaque
All three of the 'That's Entertainment' films are recommended very highly, with the first film being the best. Its two follow ups are not quite as good, but anybody expecting entertainment from such a title will not be disappointed as there's entertainment aplenty in all three.
'That's Entertainment II' is the weakest and a slight disappointment after being fresh from seeing the first film, which was not perfect but when it was good boy was it good and even the word good didn't do it justice. This said even though it is not as strong as the other two it still lives up to its name and also achieves the goals of being a delightful couple of hours, a nostalgic trip down memory lane it is affectionate, hugely entertaining and also moving and makes one want to watch or re-watch the films and scenes included, goals that the first film in particular did so brilliantly.
Where 'That's Entertainment II' falls down in particular is in the hosting scenes between Gene Kelly and Fred Astaire. It is a joy seeing both of them dance together and so well and Astaire looks great for his age, but their dialogue aims for the wistful approach and ends up being clunky, very cheesy and corny, while also not saying enough about the personalities and life stories behind the stars. The travelogue scenes also slow the film down and look just as jarringly cheap as the dilapidated MGM backdrops and sets in the hosting segments.
Also disappointing is that it doesn't feel very ordered structurally. 'That's Entertainment' had a logical, ordered and thematic structure that made sense, the structure in 'That's Entertainment II' feels sprawling, random and somewhat jumpy. Not confusing or incoherent or anything, just wished it was more logical and focused. Editing can be an issue too, not always but scenes like the scene from 'A Night at the Opera' are too short and edited too hastily and that scene and a few others (especially "Good Mornin" do deserve better than that.
However, What immediately captivated was seeing the who's who of musical/dance/singing talent being featured. The production values are lavish and just beautiful to look at, the music dazzles and is full of emotions and the choreography is often enough to make the jaw drop. Almost all the scenes featured are great to masterpieces, with the exceptions being the ones with Bobby Van, liked the energy but the routine was just weird, and the French segment with Kelly.
It is interesting to see Robert Taylor sing and Greta Garbo dance, not brilliant but a long way from bad (nowhere near to Joan Crawford bad for example). Esther Williams skiing was almost as dazzling as that incredible water ballet featured in the first 'That's Entertainment'. Also loved the moving tribute to Katharine Hepburn and Spencer Tracy (almost as moving as Liza Minnelli's tribute to Judy Garland in the first film, though do have to agree that the omission of 'Guess Who's Coming to Dinner' was a mistake). One can't mention the film either without mentioning the awesome title sequence, definitely the cleverest and most memorable one of all three films to me.
Standout sequences are Judy Garland singing "Have Yourself a Merry Little Christmas", Gene Kelly's roller-skating routine, Frank Sinatra "I Got Rhythm", Ethel Waters, Garland and Kelly in 'The Pirate', Eleanor Powell, Lena Horne, the use of classics like "Ol Man River" and "There's Nothing Like Show Business" and Cyd Charisse in one of 'Singin in the Rain's' most unforgettable moments.
Overall, 'That's Entertainment II' is the weakest of the 'That's Entertainment' trilogy but it lives up to its name and meets nearly all its main objectives. 7/10 Bethany Cox
'That's Entertainment II' is the weakest and a slight disappointment after being fresh from seeing the first film, which was not perfect but when it was good boy was it good and even the word good didn't do it justice. This said even though it is not as strong as the other two it still lives up to its name and also achieves the goals of being a delightful couple of hours, a nostalgic trip down memory lane it is affectionate, hugely entertaining and also moving and makes one want to watch or re-watch the films and scenes included, goals that the first film in particular did so brilliantly.
Where 'That's Entertainment II' falls down in particular is in the hosting scenes between Gene Kelly and Fred Astaire. It is a joy seeing both of them dance together and so well and Astaire looks great for his age, but their dialogue aims for the wistful approach and ends up being clunky, very cheesy and corny, while also not saying enough about the personalities and life stories behind the stars. The travelogue scenes also slow the film down and look just as jarringly cheap as the dilapidated MGM backdrops and sets in the hosting segments.
Also disappointing is that it doesn't feel very ordered structurally. 'That's Entertainment' had a logical, ordered and thematic structure that made sense, the structure in 'That's Entertainment II' feels sprawling, random and somewhat jumpy. Not confusing or incoherent or anything, just wished it was more logical and focused. Editing can be an issue too, not always but scenes like the scene from 'A Night at the Opera' are too short and edited too hastily and that scene and a few others (especially "Good Mornin" do deserve better than that.
However, What immediately captivated was seeing the who's who of musical/dance/singing talent being featured. The production values are lavish and just beautiful to look at, the music dazzles and is full of emotions and the choreography is often enough to make the jaw drop. Almost all the scenes featured are great to masterpieces, with the exceptions being the ones with Bobby Van, liked the energy but the routine was just weird, and the French segment with Kelly.
It is interesting to see Robert Taylor sing and Greta Garbo dance, not brilliant but a long way from bad (nowhere near to Joan Crawford bad for example). Esther Williams skiing was almost as dazzling as that incredible water ballet featured in the first 'That's Entertainment'. Also loved the moving tribute to Katharine Hepburn and Spencer Tracy (almost as moving as Liza Minnelli's tribute to Judy Garland in the first film, though do have to agree that the omission of 'Guess Who's Coming to Dinner' was a mistake). One can't mention the film either without mentioning the awesome title sequence, definitely the cleverest and most memorable one of all three films to me.
Standout sequences are Judy Garland singing "Have Yourself a Merry Little Christmas", Gene Kelly's roller-skating routine, Frank Sinatra "I Got Rhythm", Ethel Waters, Garland and Kelly in 'The Pirate', Eleanor Powell, Lena Horne, the use of classics like "Ol Man River" and "There's Nothing Like Show Business" and Cyd Charisse in one of 'Singin in the Rain's' most unforgettable moments.
Overall, 'That's Entertainment II' is the weakest of the 'That's Entertainment' trilogy but it lives up to its name and meets nearly all its main objectives. 7/10 Bethany Cox
- TheLittleSongbird
- 28 de ago. de 2016
- Link permanente
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- How long is That's Entertainment, Part II?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Era Uma Vez em Hollywood, Parte II
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 4.979.380
- Faturamento bruto mundial
- US$ 4.979.380
- Tempo de duração2 horas 13 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Isto Também Era Hollywood (1976) officially released in Canada in English?
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