Domingo Maldito

Título original: Sunday Bloody Sunday

1971
16
1 h 50 min

AVALIAÇÃO DA IMDb

7,0/10

7,3 mil

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Three Reasons Criterion Trailer for Sunday Bloody Sunday

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91 fotos

Drama

As complexidades emocionais de uma relação poliamorosa entre o jovem artista Bob e seus dois amantes: um médico solitário e uma funcionária de escritório frustrada.As complexidades emocionais de uma relação poliamorosa entre o jovem artista Bob e seus dois amantes: um médico solitário e uma funcionária de escritório frustrada.As complexidades emocionais de uma relação poliamorosa entre o jovem artista Bob e seus dois amantes: um médico solitário e uma funcionária de escritório frustrada.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

7,0/10

7,3 mil

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Indicado a 4 Oscars
- 12 vitórias e 11 indicações no total

Curiosidades
Thirteen-year-old Sir Daniel Day-Lewis made his screen debut in this film as a teenage street vandal. He described his first acting experience, in which he was paid £2 to vandalize expensive cars parked outside his local church in Petersfield, Hampshire, as "heaven".

Citações
[last lines]
Daniel: When you're at school and you want to quit, people say 'You're going to hate it out in the world.' Well, I didn't believe them and I was right. When I was a kid, I couldn't wait to be grown up, and they said 'Childhood is the best time of your life.' Well, it wasn't. And now, I want his company and they say, 'What's half a loaf? You're well shot of him'; and I say 'I know that... but I miss him, that's all' and they say 'He never made you happy' and I say 'But I am happy, apart from missing him. You might throw me a pill or two for my cough.'
[pauses, smiles]
Daniel: All my life, I've been looking for somebody courageous, resourceful.
[pause, thinks]
Daniel: He's not it... but something. We were something.
[pause]
Daniel: I only came about my cough.

Conexões
Featured in The Pacemakers: Glenda Jackson (1971)

Trilhas sonoras
The Trio
From "Così Fan Tutte"
Music by Wolfgang Amadeus Mozart (as Mozart) (uncredited)
Sung by Pilar Lorengar, Yvonne Minton and Barry McDaniel
[Daniel listens to a phonograph recording of the opera while alone in his living room on Friday night; also played over the end credits.]

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Avaliação em destaque

10/10

One of John Schlesinger's Finest Achievements

Difficult to believe that this brilliant little film is 41 years old because it still feels fresh and vibrant the way his other films remain (Midnight Cowboy, Billy Liar, Darling, etc). It is as mature an examination of love in all its aspects as any film that has been placed on the screen since. The acting by an impeccable cast and the cinematography are first rate, but it is Schlesinger's sure hand that carved this story into our memories.

Divorced workingwoman Alex (Glenda Jackson) and well-to-do Jewish family doctor Daniel Hirsh (Peter Finch) share not only the same answering service but also the sexual favors of the young handsome artist Bob Elkin (Murray Head) who bed-hops between them as the mood takes him. Both Alex and Dr Hirsh are aware of the other's existence but prefer to live with the situation rather than risk losing Elkin completely. But a wet winter weekend in London can be difficult. Exceptional cameo roles are filled by Peggy Ashcroft as the doctor's mother and by Richard Loncraine as Bob's partner and Jon Finch who manages to epitomize the London street hustler.

There have been several films that have attempted to take on the matter of ménage a trois tales but none has approached the subject of the complexities of romantic relationships with the style and aplomb achieved here. It is a masterwork.

Grady Harp