Domingo Maldito

Título original: Sunday Bloody Sunday

1971
16
1 h 50 min

AVALIAÇÃO DA IMDb

7,0/10

7,4 mil

SUA AVALIAÇÃO

Three Reasons Criterion Trailer for Sunday Bloody Sunday

Reproduzir trailer1:33

1 vídeo

91 fotos

Drama

As complexidades emocionais de uma relação poliamorosa entre o jovem artista Bob e seus dois amantes: um médico solitário e uma funcionária de escritório frustrada.As complexidades emocionais de uma relação poliamorosa entre o jovem artista Bob e seus dois amantes: um médico solitário e uma funcionária de escritório frustrada.As complexidades emocionais de uma relação poliamorosa entre o jovem artista Bob e seus dois amantes: um médico solitário e uma funcionária de escritório frustrada.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

7,0/10

7,4 mil

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Indicado a 4 Oscars
- 12 vitórias e 11 indicações no total

Vídeos1

Trailer 1:33

Sunday Bloody Sunday

Fotos91

+ 85

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Curiosidades
Thirteen-year-old Sir Daniel Day-Lewis made his screen debut in this film as a teenage street vandal. He described his first acting experience, in which he was paid £2 to vandalize expensive cars parked outside his local church in Petersfield, Hampshire, as "heaven".

Citações
[last lines]
Daniel: When you're at school and you want to quit, people say 'You're going to hate it out in the world.' Well, I didn't believe them and I was right. When I was a kid, I couldn't wait to be grown up, and they said 'Childhood is the best time of your life.' Well, it wasn't. And now, I want his company and they say, 'What's half a loaf? You're well shot of him'; and I say 'I know that... but I miss him, that's all' and they say 'He never made you happy' and I say 'But I am happy, apart from missing him. You might throw me a pill or two for my cough.'
[pauses, smiles]
Daniel: All my life, I've been looking for somebody courageous, resourceful.
[pause, thinks]
Daniel: He's not it... but something. We were something.
[pause]
Daniel: I only came about my cough.

Conexões
Featured in The Pacemakers: Glenda Jackson (1971)

Trilhas sonoras
The Trio
From "Così Fan Tutte"
Music by Wolfgang Amadeus Mozart (as Mozart) (uncredited)
Sung by Pilar Lorengar, Yvonne Minton and Barry McDaniel
[Daniel listens to a phonograph recording of the opera while alone in his living room on Friday night; also played over the end credits.]

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Avaliação em destaque

7/10

Love vs. Logic

As the 1960s become the 1970s in London, England, a successful male doctor and divorced, female recruitment consultant both try to maintain a relationship with a self-centred younger man.

Fascinating period piece, exploring the reality of the late sixties 'free love' ideal - she loves Bob, he love Bob, Bob loves... well, nothing substantial, as it turns out. Mixing in ghastly 'of their time' friends (ex-hippie-types Alva and Bill and their dreadful kids), Sunday, Bloody Sunday is at once both dated and contemporary - set in a time of economic chaos and dealing with a taboo which, in 2009, still seems at least unsettling. Jackson and Finch are brilliant, apologetically yet furiously settling for all the crumbs they can get from their cool younger lover, although under Schlesinger's direction, Head is much less successful - whilst he captures Bob's egotistical nature, there's no counter-balance of charm, leaving the viewer wondering exactly what is either Alex or Daniel really see in him.

Ground-breaking story-telling then, and all kudos to Gilliatt, Sherwin, Janni, Schlesinger and Peter Finch for bringing this grown-up picture of early 70s contemporary life to the screen.