Cerimônia Solene

Título original: Gishiki

1971
2 h 3 min

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Adicionar um enredo no seu idiomaUpon receiving a shocking telegram from his cousin, a man recounts his early life, as a member of a broad family full of dark secrets that slowly reveal themselves through the clan ceremonie... Ler tudoUpon receiving a shocking telegram from his cousin, a man recounts his early life, as a member of a broad family full of dark secrets that slowly reveal themselves through the clan ceremonies.Upon receiving a shocking telegram from his cousin, a man recounts his early life, as a member of a broad family full of dark secrets that slowly reveal themselves through the clan ceremonies.

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7,2/10

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- 7 vitórias e 1 indicação no total

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Cerimônia Solene (1971) (Japanese: Gishiki) is a Japanese drama film starring Kenzô Kawarasaki and Atsuko Kaku, directed and co-written by Nagisa Ôshima. The film takes place in post-war Japan, following a family clan through their wedding and funeral ceremonies, and the lengths the elder generation goes to preserve their traditions in spite of the damage it causes to the younger.

Citações
Sakurada Kazuomi, Grandfather: People keep saying the Russian soldiers are demons, but were they really that fearsome?
Sakurada Shizu: What?
Sakurada Kazuomi, Grandfather: You aren't too bright, are you? I'm asking if they used you as a prostitute.
Sakurada Shizu: That happened to some women.
Sakurada Kazuomi, Grandfather: I'm asking about you. What about the Manchurians and Koreans?
Sakurada Shizu: Had that happened, I wouldn't have returned alive!

Conexões
Featured in The Man Who Left His Soul on Film (1984)

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9/10

Darkness, trauma, misfortune

A boy experiences traumas during WWII (which we don't see), and the subsequent 25 years of his life are a continuation of those traumas. Oshima skillfully depicts Japan's post-war evolution, and the ways the dark secrets of the past live on within the present. Gishiki is by no means an enjoyable film: the main character experiences nothing but losses, misfortunes, and humiliations. But this is a dark truth of life: anyone who lives long enough accumulates losses and failures, and for some, perhaps everything else is overtaken. In the end, the main character is left alone with nothing except his lost dreams and his endlessly repeating traumas. A very sad film, but one I'm glad to have seen.