Mulheres Apaixonadas

Título original: Women in Love

1969
16
2 h 11 min

AVALIAÇÃO DA IMDb

7,1/10

8,9 mil

SUA AVALIAÇÃO

Two best friends fall in love with a pair of women, but the relationships soon go in very different directions.

Reproduzir trailer3:46

1 vídeo

99+ fotos

Dark Comedy Period Drama Drama Romance

Dois melhores amigos se apaixonam por duas mulheres, mas os relacionamentos logo seguem direções muito diferentes.Dois melhores amigos se apaixonam por duas mulheres, mas os relacionamentos logo seguem direções muito diferentes.Dois melhores amigos se apaixonam por duas mulheres, mas os relacionamentos logo seguem direções muito diferentes.

Direção
- Ken Russell
Roteiristas
- D.H. Lawrence
- Larry Kramer
Artistas

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

7,1/10

8,9 mil

SUA AVALIAÇÃO

Direção
- Ken Russell
Roteiristas
- D.H. Lawrence
- Larry Kramer
Artistas

Veja as informações de produção no IMDbPro

Ganhou 1 Oscar
- 6 vitórias e 18 indicações no total

Curiosidades
Oliver Reed and Sir Alan Bates were initially apprehensive about filming the legendary nude wrestling scene, due to insecurity over who might have the larger 'member'. To 'prepare', both consumed a bottle of vodka each, and subsequently realized there was little difference between the two. Filming continued with relative ease.

Erros de gravação
Towards the end of the movie, in the garden, someone holds up the front page of "The Yorkshire Echo" The headline says Miner's Riots. It should read Miners' Riots.

Citações
Gerald Crich: And who is "Gudrun"?
Gudrun Brangwen: In a Norse myth, Gudrun was a sinner who murdered her husband.
Gerald Crich: And will you live up to that?
Gudrun Brangwen: Which would you prefer me to live up to, Mr Crich? The sinner or the murderer?

Conexões
Featured in The Pacemakers: Glenda Jackson (1971)

Trilhas sonoras
I'm Forever Blowing Bubbles
(uncredited)
Written by John W. Kellette (as John William Kellette), James Brockman, Nat Vincent and James Kendis

Avaliações de usuários80

Avaliar

Avaliação em destaque

arresting, breathtakingly beautiful. Ten out of Ten.

This film is a masterpiece.

DH Lawrence has provided a wonderful story world for Ken Russell

to explore modern notions of romance, monogamy -- sex and the beast. Only the recent Thai film "Tropical Malady" has managed to grapple with these themes with such playful and erotic sensitivity. The sort of film which confronts the very notion of a moral fabric -- dangerous -- yet vital if audiences are willing to challenge their own notions of fairytale love, expectations for companionship and ultimately happiness.

The mismatched performance style (Glenda J's unusual mix of naturalism and

Brechtian facade -- is delightful when juxtaposed with Oliver Reeds hammy

closetted representational queer). Like "cAT ON A HOT TIN roof" this

performance contrast only serves to strengthen the academic rigour of the film's politics -- and ultimately serves as an emotional beacon to enlighten an

audience with an elusive mind.

Like "The Day of the Locust" -- this film is breathtakingly modern -- and before it's time.