Es geschah am hellichten Tag

1958
1 h 40 min

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Gert Fröbe, Heinz Rühmann, Siegfried Lowitz, Michel Simon, Sigfrit Steiner, Ladislao Vajda, and Hans-Georg Kredewahn in Es geschah am hellichten Tag (1958)

Adicionar um enredo no seu idiomaHaving doubts about the guilt of the obvious suspect in the murder of an eight year old girl, a police detective decides to investigate the case on his own.Having doubts about the guilt of the obvious suspect in the murder of an eight year old girl, a police detective decides to investigate the case on his own.Having doubts about the guilt of the obvious suspect in the murder of an eight year old girl, a police detective decides to investigate the case on his own.

Veja as informações de produção no IMDbPro

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7,8/10

5,8 mil

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Veja as informações de produção no IMDbPro

Prêmios
- 5 vitórias e 3 indicações no total

Fotos27

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O Cabo de Koepenick

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A Ponte da Desilusão

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Es geschah am hellichten Tag

7,6

Los peces rojos

7,1

Os Irresistíveis Falsários

6,2

7,3

7,4

7,5

5,7

Enredo

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Curiosidades
Gert Fröbe's performance in this film prompted Harry Saltzman and Albert R. Broccoli to cast Fröbe as Auric Goldfinger in the James Bond film 007 Contra Goldfinger (1964).

Erros de gravação
When Matthäi is holding the puppet, the amount of blood in it changes drastically between each shot.

Versões alternativas
An American version, produced by the Walter Reade Organisation Inc, dubbed into English, had the scene with Prof. Manz re-shot with Roger Livesey playing Prof. Manz.

Conexões
Featured in Die tödliche Maria (1993)

Avaliações de usuários25

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Avaliação em destaque

10/10

Powerful suspense drama, unappreciated by its own author.

This Swiss movie, originally made for TV, was dismissed by Durrenmatt because he felt it didn't probe deeply enough into the driven character of the Inspector. I totally disagree with him. This version is powerfully realized and stunningly acted. Durrenmatt's literary version, The Pledge, undercuts the power of the theme and registers the Inspector's commitment as hollow and pointless. The American movie version of the Pledge was a conceptual, execution and box-office disaster.

What Durrenmatt does in The Pledge is to book-end this satisfying story with a narrative overlay that only revokes all the drama and suspense of the central story. This is as pointless and destructive as book-end CASABLANCA with a narrator that claims that Rick was really a scoundrel working for the Nazis the whole time.