Geliebte Weiße Maus

1964
1 h 16 min

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Adicionar um enredo no seu idiomaEvery morning, Helene rides her motor scooter past Fritz, the police officer who controls traffic at the intersection. He shows his affection by favorably switching the green light for her. ... Ler tudoEvery morning, Helene rides her motor scooter past Fritz, the police officer who controls traffic at the intersection. He shows his affection by favorably switching the green light for her. However, for their relationship to gain momentum, she has to break some traffic laws. An i... Ler tudoEvery morning, Helene rides her motor scooter past Fritz, the police officer who controls traffic at the intersection. He shows his affection by favorably switching the green light for her. However, for their relationship to gain momentum, she has to break some traffic laws. An invitation to Fritz's traffic course is the desired consequence. Frau Messmer, whose traffi... Ler tudo

Direção
- Gottfried Kolditz
Roteiristas
- Maurycy Janowski
- Gottfried Kolditz
Artistas

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

6,5/10

SUA AVALIAÇÃO

Direção
- Gottfried Kolditz
Roteiristas
- Maurycy Janowski
- Gottfried Kolditz
Artistas

1Avaliação de usuário

Veja as informações de produção no IMDbPro

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Curiosidades
When complaining about Fritz Bachmann to the police captain and talking about justice Mr. Simmel is comparing himself to Michael Kohlhaas. Kohlhaas is the main character from the 1808-novel of the same name by Heinrich von Kleist. The novel is also set in Dresden, like this movie and is inspired by the real-life salesman Hans Kohlhase. In the novel, set in the 16th century, Kohlhaas is a horse salesman who is fighting the injustice that was done to him (he didn't receive a pass paper into Dresden and had to give up his horses for this) with street justice. This cause to him to a death verdict which however, unlike the real-life-prototype, was not executed at the end.

Citações
Fritz Bachmann: [before kissing Helene, directly into the camera] We're not yet at the Happy End, and still we're gonna screen off then.
[pushes the curtain in front of the camera]