A morte de Marcus Aurelius leva a uma crise sucessória, na qual o filho do falecido imperador, Commodus, demonstra que ele não está disposto a permitir que nada prejudique sua reivindicação ... Ler tudoA morte de Marcus Aurelius leva a uma crise sucessória, na qual o filho do falecido imperador, Commodus, demonstra que ele não está disposto a permitir que nada prejudique sua reivindicação ao Império Romano.A morte de Marcus Aurelius leva a uma crise sucessória, na qual o filho do falecido imperador, Commodus, demonstra que ele não está disposto a permitir que nada prejudique sua reivindicação ao Império Romano.
- Indicado a 1 Oscar
- 1 vitória e 2 indicações no total
- Marcellus
- (as Virgilio Texera)
Enredo
Você sabia?
- CuriosidadesThe symbol Timonides wears around his neck is a staurogram, an early symbol of Christianity. It's the only mention of Christianity in this movie.
- Erros de gravaçãoIt is general opinion that Marcus Aurelius was not assassinated, neither by poison, as in THE FALL, nor by asphyxiation, as in Ridley Scott's GLADIATOR. Instead the general conclusion is that MA died of disease, aggravated by exhaustion after endless years of constant fighting.
- Citações
Closing Narrator: This was the beginning of the fall of the Roman Empire. A great civilization is not conquered from without, until it has destroyed itself from within.
- Cenas durante ou pós-créditosThe Paramount logo did not appear on American prints.
- Versões alternativasThe film was cut a number of times, from 187 minutes to 185 to 165 to 158. The very first scene to go was one between Commodus and Livius in the middle of their drinking session on arriving at the German fort. As they go upstairs to pick out two of the hostage German women, Commodus explains that he is on the horns of not a dilemma by a trilemma - if there are gods, they have decided what he will do so it doesn't matter whether he is good or bad; if there are no gods, then it simply doesn't matter if he leads a good or a bad life; and if he himself is a god, then he gets to decide what is good or bad. That is why, if you listen carefully, you can hear the gods laughing... The omission of this scene explains that incredibly abrupt cut from them going upstairs to Commodus trying to force a drink on the German girl. There are a number of cuts in the other versions, most notably the second scene with Marcus Aurelius and Lucilla; most of Timonides' big speech to the Senate about accepting the barbarians into the Empire; and the scene where Livius tries to appeal to the Senate after failing to sway Commodus in the temple only for them to turn against him and arrest him. In some prints, the first scene after the intermission, of Lucilla leaving Marcus Aurelius' meditations in the temple for safekeeping is also dropped. Sadly, the only version that was ever released uncut was the Super 8mm feature release back in the early 1990s, which was taken from the original 16mm neg that was struck before any of the cuts were made but which was prohibitively expensive.
- ConexõesFeatured in Claudius: Boy of Ancient Rome (1964)
Plot is a fictionalisation of events involving the Roman Empire AD 180 to 192, and focuses on the last days of Roman Emperor Marcus Aurelius to the death of his son and successor Commodus.
It was a financial disaster for Samuel Bronston, something that might lend one to think the film to being rather poor. That isn't the case at all, time has been kind to Mann's epic, showing it to be one of the better, more intelligent, sword and sandal epics to have surfaced in cinema history. Massive in scope and production values, it harks back to a time when epic actually meant just that. A huge cast list is supplemented by thousands of extras, all cloaked by real scenery and expertly crafted sets, with not a CGI sequence in sight. Scripting is literate, where three separate writers combine to tell a tale of political intrigue, violence, romance, glory and greed, the ultimate spun narrative of a system collapsing from within. While the action is superbly marshalled by Mann as it flits in and out of the dialogue driven story. Be it the snow laden campaign against the Germanic Barbarians, or an exciting chariot duel, Mann shows himself to be adroit in the art of scene construction.
It's not all perfect, the length at over three hours asks much of the casual observer; the production for sure is grand, but some of the longer character exchanges could easily have been trimmed. After Kirk Douglas and Charlton Heston turned down the role of Livius, Stephen Boyd filed in for lantern jawed stoicism, he looks the part but with such a razor sharp script calling for dramatic worth from one of its main characters, Boyd barely convinces in a film that convinces everywhere else. Loren, a vision of loveliness, is guilty of over pouting, but both her and Boyd's failings are masked over by the performances of the others around them, and to be fair their romantic union has the requisite warmth about it. Guinness (classy), Mason (likewise) and a terrific Plummer (grand egomaniacal villainy-himself stepping in when Richard Harris bailed) dominate proceedings, while Tiomkin's Academy Award nominated score is stirring and itself epic in production.
An essential film for the historical epic fan, The Fall of the Roman Empire is a lesson in adult sword and sandalry. 8.5/10
- hitchcockthelegend
- 3 de jun. de 2011
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Detalhes
- Data de lançamento
- País de origem
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- The Fall of the Roman Empire
- Locações de filme
- Sierra de Guadarrama Mountain Range, Segovia, Castilla y León, Espanha(opening sequence - battle)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 19.000.000 (estimativa)
- Tempo de duração3 horas 8 minutos