Olhos Diabólicos

Título original: La ragazza che sapeva troppo

1963
Not Rated
1 h 26 min

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Valentina Cortese and John Saxon in Olhos Diabólicos (1963)

A mystery novel-loving American tourist witnesses a murder in Rome, and soon finds herself and her suitor caught up in a series of killings.

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Dark Comedy Giallo Slasher Horror Horror Mystery Romance Thriller

Uma turista americana que adora romances misteriosos testemunha um assassinato em Roma, e logo sua vida mudará quando ela e seu pretendente estão envolvidos em uma série de assassinatos.Uma turista americana que adora romances misteriosos testemunha um assassinato em Roma, e logo sua vida mudará quando ela e seu pretendente estão envolvidos em uma série de assassinatos.Uma turista americana que adora romances misteriosos testemunha um assassinato em Roma, e logo sua vida mudará quando ela e seu pretendente estão envolvidos em uma série de assassinatos.

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Prêmios
- 1 vitória e 1 indicação no total

Vídeos2

Trailer

Bloody Beginnings of the Summer Camp Slasher

Bloody Beginnings of the Summer Camp Slasher

Bloody Beginnings of the Summer Camp Slasher

Bloody Beginnings of the Summer Camp Slasher

Fotos102

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Elenco principal27

Dr. Marcello Bassi

Letícia Román

Nora Davis
(as Leticia Roman)
…

Valentina Cortese

Laura Craven-Torrani

Inspector

Albergo Stelletta

De Vico…

Walter Williams

Dr. Alessi
(as Robert Buchanan)

Murder Victim

Gustavo De Nardo

Dr. Facchetti

Nurse

Giovanni Di Benedetto

Professor Torrani
(as Gianni De Benedetto)

Policeman
(as Franco Morici)

Torrani's Maid

Andrea Landini
(as Dante Di Paolo)

Uncle Augusto
(não creditado)

Geoffrey Copleston

Asylum employee
(não creditado)

Priest
(não creditado)

Adriana Facchetti

Woman in Sguattera Restaurant
(não creditado)

Mais itens semelhantes

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Curiosidades
Mario Bava was a big fan of Alfred Hitchcock, and Hitchcockian touches abound in the film, including a cameo by the director. In the scene where Letícia Román is in her bedroom at Ethel's home, the portrait on the wall with the eyes that keep following her is that of Mario Bava.

Erros de gravação
When Nora answers the phone in the Torrani house, "hello" is heard before she speaks, even while the receiver is being lifted to her mouth.

Citações
Nora Davis: [into the phone] Oh mother, murders don't just happen like that here.

Versões alternativas
AIP released this as The Evil Eye, a recut version with material used just in some countries out of Italy.

Conexões
Featured in Mario Bava: Maestro of the Macabre (2000)

Trilhas sonoras
Furore
(Appears in the Italian version)
Sung by Adriano Celentano
Written and Composed by Adriano Celentano (as Adicel) and Paolo Vivarelli (as Vivarelli)
Published by Edizioni Nazionalmusic and Disco Jolly

Avaliações de usuários67

Avaliação em destaque

8/10

Classic Bava

Nora Davis (Leticia Roman) is a young woman hoping to have a wonderful vacation in Italy. Within 24 hours of her arrival, she is almost mistakenly arrested for drug smuggling, the aunt she is staying with dies, she has her purse stolen, and she witnesses a murder. But the police can find no body and no signs of a murder. It seems that no on believes her. It's up to Nora to discover the truth to what happened that rainy night in the plaza.

Mario Bava is known for his magnificent use of color. So, it's a little odd that two of my favorite films that Bava made (The Girl Who Knew Too Much and Black Sunday) are black & white. Whatever the format, Bava again demonstrates his mastery of shadows and light very effectively. The film presents a series of images that are hard to forget. Each shot is perfection. One of my favorites is of the thief who steals Nora's purse as he moves from one side of the stairs to the other. It is admittedly a very minor moment, but Bava puts more care into this insignificant tracking shot than most director's do in the main scenes of their movies. It is one of the most beautiful films I've ever seen.

The Girl Who Knew Too Much is an obvious (and not just in title) homage to Alfred Hitchcock. Bava has loaded the movie with moments that are done as I imagine Hitchcock would have done them. If the movie weren't in Italian, you would swear Hitchcock directed it.

But the thing that make this movie so effective is Leticia Roman as Nora. Her performance is one of the best I've seen in a Bava film. She comes off as fragile, yet determined, depending upon what the script calls for. She has a believability that is necessary for this kind of movie if the audience to feel concern when she is in peril. Roman is perfect in the role.

One final note, this movie is often cited as the first giallo. Whether this is true or not, I only know what I've read. The Girl Who Knew Too Much does establish a very elementary framework for later gialli to follow. But, it bears little resemblance to the gialli that would come later. It's not until Bava fleshed-out the giallo in Blood and Black Lace do we get look and "rules" that have become so familiar to fans of the genre.

bensonmum2
12 de fev. de 2005
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Perguntas frequentes14

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Detalhes

Data de lançamento
- 1963 (Itália)
País de origem
- Itália
Idiomas
- Italiano
- Inglês
Também conhecido como
- A Garota que Sabia Demais
Locações de filme
- Foro Italico Stadium, Foro Italico, Monte Mario, Roma, Lazio, Itália(location)
Empresas de produção
- Galatea Film
- Coronet s.r.l.
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Especificações técnicas

Tempo de duração
1 hora 26 minutos
Cor
- Black and White
Mixagem de som
- Mono
Proporção
- 1.66 : 1

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Valentina Cortese and John Saxon in Olhos Diabólicos (1963)

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