1959's THE STRANGLERS OF BOMBAY is easily director Terence Fisher's least known Hammer horror, and one rarely screened until its revival in the 2000s. Shot in gritty black and white rather than the usual color, it foreshadows a similar effort the following year, "The Terror of the Tongs," a star vehicle for Christopher Lee as Hong Kong tong leader Chung King, while this film boasts the underrated George Pastell as the High Priest of the secret cult of Kali, leaving behind millions of victims all garroted by the sacred cloth. Top billed Guy Rolfe ("Mr. Sardonicus") plays Captain Harry Lewis of the British East India Company, who has spent months in 1829 Bombay trying to find answers as to the mysterious disappearances of traveling caravans of various goods robbing the English of their profits (the corpses swiftly and ruthlessly buried in shallow graves). His superior, Colonel Henderson (Andrew Cruickshank), appoints an old school chum as chief investigator rather than Lewis, Captain Christopher Connaught-Smith (Allan Cuthbertson), a supremely pompous twit who simply conducts interrogations while seated behind his desk. Lewis decides to resign after his manservant, Ram Das (Tutte Lemkow), suffers a terrible fate (his hand cut off and sent to Lewis) while searching for his brother Gopali Das (David Spenser), revealed not only to be the newest recruit to the cult but also tasked to strangle his own beloved sibling. The level of brutality is unprecedented even for Hammer, and all the better for being so effectively rendered, though possibly cut for television. Two careless followers are punished for betrayal to Kali by having their eyes gouged out (we see the eye sockets following the gruesome deed), corpses have their stomachs slit prior to burial, all sadly historically accurate. It looks like curtains for a captive Lewis, staked out under the mercilessly hot sun waiting for a cobra to strike...surprise! He just happens to have brought along his pet mongoose, ably dispatching the venomous reptile, an ill omen that forces the high priest to set Lewis free. It's amazing how tiny Bray Studios could manage to convey far off places when never venturing far from the Thames, their professionalism led by production designer Bernard Robinson, who often lent his own props for a scene (for instance, the huge globe in the Castle Dracula library in "Horror of Dracula").
