Escola de Vigaristas

Título original: School for Scoundrels

1960
Approved
1 h 37 min

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7,3/10

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A young man finds a very special school. It teaches him how to take advantage of people. He begins to put the lessons into operation.

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Comedy

Adicionar um enredo no seu idiomaA young man finds a very special school. It teaches him how to take advantage of people. He begins to put the lessons into operation.A young man finds a very special school. It teaches him how to take advantage of people. He begins to put the lessons into operation.A young man finds a very special school. It teaches him how to take advantage of people. He begins to put the lessons into operation.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

7,3/10

4 mil

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Curiosidades
A first screenplay was written by Peter Ustinov, who was also the first choice for Dennis Price's role as Dunstan Dorcester. He may have contributed to the script in collaboration with the credited Patricia Moyes, who had, at one time, been his secretary.

Erros de gravação
After the restaurant meal, Delauney apologizes that he can't give them both a lift because he only has his two-seater, so he offers to take April home in his two-seater. Later, though, both men travel in the car to the second tennis match, apparently intending to collect April on the way.

Citações
Mr. Potter: Remember, gentlemen, and mark this well - he who is not not one up is always one down.

Conexões
Edited into Heroes of Comedy: Terry-Thomas (1995)

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The English Sense of Humour

Stephen Potter's biography tells that, before this happy film version was made, Cary Grant was keen, with American producer Carl Foreman, to make a film about Potter's brilliant (now sadly out-of-print)Oneupmanship books. The problem that confronted Grand and Foreman was that they couldn't find anyway to make the humour "American". In the end they dropped it and this rather Ealing-esque film was made instead. This film is just great fun and a reminder of what British cinema at its best can offer. Thank goodness Grant and Foreman didn't give it the "American" treatment. Thank heavens also for a sterling case, in which Terry-Thomas particularly stands out. Tennis, anyone?