Mughal-E-Azam

1960
Not Rated
3 h 17 min

AVALIAÇÃO DA IMDb

8,1/10

9,1 mil

SUA AVALIAÇÃO

Dilip Kumar and Madhubala in Mughal-E-Azam (1960)

A 16th century prince falls in love with a court dancer and battles with his emperor father.

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Period Drama Tragic Romance Drama Romance War

Adicionar um enredo no seu idiomaA 16th century prince falls in love with a court dancer and battles with his emperor father.A 16th century prince falls in love with a court dancer and battles with his emperor father.A 16th century prince falls in love with a court dancer and battles with his emperor father.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

8,1/10

9,1 mil

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Prêmios
- 3 vitórias e 3 indicações no total

Emperor Akbar
(as Prithviraj)

Madhubala

Anarkali

Dilip Kumar

Prince Saleem

Durga Khote

Maharani Jodha Bai

Nigar Sultana

Bahar

Ajit Khan

Durjan Singh
(as Ajit)

M. Kumar

Sculptor
(as Kumar)

Murad

Raja Mann Singh

Jillo

Anarkali's Mother
(as Jillo Bai)

Vijayalaxmi

S. Nazir

Sheila Dalaya

Suraiya
(as Sheela Delaya)

Surendra

Johnny Walker

Jalal Agha

Young Prince Saleem

Tabassum Govil

Gopi Krishna

Jago

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Curiosidades
The song "Pyar Kiya To Darna Kiya" has an unusual history to it: it cost Rs. 10 million at a time when a film would be made for less than a million; it was written and re-written 105 times by the lyricist, Shakeel Badayuni, before the music director, Naushad, could approve of it; it was shot in the renowned Sheesh Mahal (Palace of Mirrors); and in those days of sound recording, editing and mixing, as there was no way to provide the reverberation of sound, Naushad had playback singer Lata Mangeshkar sing the song in a studio bathroom.

Erros de gravação
Music and dancing styles from the 19th century were depicted, although the story takes place in the 16th century. For example, Thumri, a semi-classical music form developed in the 19th century, is adopted in a dance sequence in Kathak style, which is a 16th-century dance form.

Citações
Servant: [as she sees a crown over Bahar's head] Oh! my queen don't you fear that someone would see you in this crown, and that would cause trouble as many girls would die for this.
Bahar: Those who wear crowns do not fear. If they do, the crown won't last long on their head.

Cenas durante ou pós-créditos
2004: The End Credits play the song 'Pyaar Kiya To Darna Kya' and its 1960 end credits are adjacent to the 2004 (Technicians) credits.

Versões alternativas
The original version is in B/W and only one song 'Pyar kiya to darna kya...' was shot in color as most of the film (by the time color technology was available) was complete. This was at the end of almost 10 years that the film was being completed. However, the year 2004 re-release is re-mastered from the original B/W version to Color with Dolby Digital sound and some visual enhancements.

Conexões
Featured in Century of Cinema: And the Show Goes On: Indian Chapter (1996)

Trilhas sonoras
Yeh Dil Ki Lagi
Sung by Lata Mangeshkar & Chorus
Music composed by Naushad
Lyrics by Shakeel Badayuni

Avaliações de usuários47

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Avaliação em destaque

10/10

Unsympathetic to today's recycled films, while praising the classic vision of K. Asif

Haha -- when I see comments that put Kuch Kuch Hota Hain or any other formulaic hindi flick as "the best film ever" they obviously didn't see K. Asif's vision of Mughal-e-Azam. From Prithviraj Kapoor's magnificent rendering of the imposing Emperor Akbar to Dalip Kumar's obvious love for the spectacular Madhubhala. The exquisite Urdu dialogues is of course not for the neophyte. But for those that can appreciate the finer things in life -- not some cloying Hum Apke Hain Kaun or Shah Rukh Khan's obsession with bleeding and overacting in every single film -- Mughal-e-Azam fits the bill perfectly.