Europa '51

1952
Not Rated
1 h 58 min

AVALIAÇÃO DA IMDb

SUA AVALIAÇÃO

Uma mulher rica fica obcecada com humanitarismo quando seu filho morre após cometer suicídio.Uma mulher rica fica obcecada com humanitarismo quando seu filho morre após cometer suicídio.Uma mulher rica fica obcecada com humanitarismo quando seu filho morre após cometer suicídio.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

7,4/10

5 mil

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Prêmios
- 4 vitórias e 1 indicação no total

Curiosidades
The square Irene and Andrea drive to is the Campidoglio in Rome. The equestrian statue is of Marcus Aurelius, emperor and stoic philosopher.

Erros de gravação
When Michele falls down the stairs, his parents rush to the car to get him to the hospital. When his mother finds him, she is wearing the white gown she wore at the dinner. When they first arrive at the hospital, she has a fur coat on. A few hours later, suddenly she has changed into a grey suit.

Citações
Irene Girard: It is just that the love we feel for those closest to us, for those who should be and maybe really are dearest to us, suddenly isn't enough. It seems too selfish, too narrow. So, that we feel the need to share it, to make our love bigger until it embraces everyone.

Versões alternativas
Ingrid Bergman, Alexander Knox and the other English-speaking actors dub their own voices into English for the English version.

Conexões
Edited into Damned! Daney (1991)

Trilhas sonoras
Bésame Mucho
Written by Consuelo Velázquez

Avaliações de usuários38

Avaliar

Avaliação em destaque

7/10

Wanted to like it more

It's a bit melodramatic, but up until Irene's final conversation with Cassatti the Commie, *Europa '51* is a very interesting film, first about a pampered rich woman's reaction to her son's death, then about the difference between windy Marxist propaganda and real compassion.

However, at that point, Rossellini's original idea takes over: He wanted to make a film about what would happen if a truly saintly person ever showed up in the modern world. And he had a very good idea of what would happen--or at least a very insistent one. The people here obviously behave the way they do solely to make the point Rossellini wants to make, even when their behavior doesn't seem very plausible. In defter hands, such manipulation can work. Here, though, you can see the tracks Rossellini has rather clumsily laid down to move the story where he wants it to go.