Entre Dois Fogos

Título original: Raw Deal

1948
Approved
1 h 19 min

AVALIAÇÃO DA IMDb

7,2/10

5,8 mil

SUA AVALIAÇÃO

Joe Sullivan has taken the rap for Rick who double-crosses him with a flawed escape plan and other means intended to get rid of him.

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Film Noir Crime Drama Thriller

Joe Sullivan escapa da prisão com a cumplicidade da namorada Pat Cameron. Durante a fuga, ele toma como refém Ann Martin, a jovem e bela assistente de seu advogado, e a história se complica ... Ler tudoJoe Sullivan escapa da prisão com a cumplicidade da namorada Pat Cameron. Durante a fuga, ele toma como refém Ann Martin, a jovem e bela assistente de seu advogado, e a história se complica quando os dois se apaixonam.Joe Sullivan escapa da prisão com a cumplicidade da namorada Pat Cameron. Durante a fuga, ele toma como refém Ann Martin, a jovem e bela assistente de seu advogado, e a história se complica quando os dois se apaixonam.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

7,2/10

5,8 mil

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Car Owner
(não creditado)

Robert Bice

Ship's Crewman
(não creditado)

David Clarke

Police Commanding Officer
(não creditado)

Victor Cutler

Sailor
(não creditado)

John Daheim

Motorcycle Cop
(não creditado)

Alexis Davidoff

Waiter
(não creditado)

Abe Dinovitch

Gas Station Mechanic
(não creditado)

Lloyd Everett

Ranger
(não creditado)

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A Morte Espera no 322

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Curiosidades
Jane Randolph was wanted for the role of Pat Cameron. However, she turned it down, as she was upset at being uncredited in Anthony Mann's previous picture, Moeda Falsa (1947). Claire Trevor eventually was cast.

Erros de gravação
The on-screen end credits list Claire Trevor's character as "Pat Regan". However, she is referred to as "Pat Cameron" by other characters, including the prison guard at the beginning of the film and by both Spider and Rick Coyle near the end.

Citações
Joe Sullivan: What do you know about anything? You probably had your bread buttered on both sides since the day you were born. Safe. Safe on first, second, third, and home.
Ann Martin: That's what you think? Just because I own a car and a tailored suit and my nails are clean, you think I've never had to fight? I got an education, sure. I suppose that means I was born with a silver spoon, doesn't it? My father was a schoolteacher. He died in the war of The Depression. Only he didn't get any medals. Or any bands. Or any bonus. He left three children. You think *you* had to fight? The only way you know how to fight is that stupid way with a gun. Well, there's another way you probably never even heard of. It's the daily fight that everyone has. To get food and an education, to land a job and keep it. And some self-respect. 'Safe'? I never asked for anything safe. All I want is... just a little decency, that's all.

Conexões
Featured in Century of Cinema: A Personal Journey with Martin Scorsese Through American Movies (1995)

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Avaliação em destaque

8/10

Beefy Beefsteak Movie Par Excellence

Enjoyable noir outing enlivened by a first rate cast, solid script and typically solid Alton camerawork. O'Keefe is right at home as Joe, the hotheaded lug with his own code and unlucky streak. Trevor is at her fatalistic best as the true blue moll who is meant for him but gets stepped over. Hunt is appealing and credible as the fresh-faced moralist who tries to change Joe but winds up changed, instead. Burr is an effective heavy, albeit a bit too wimpy at the end. Toomey, Bissell, and Ireland are all competent as well.

Alton uses multiple familiar Malibu locations to good advantage. The cinematography is excellent.

The script is particularly effective, building as Joe slowly discovers how he has been set up and deceived by basically everyone to some degree. Claire Trevor's struggle to come clean at the end is a moving and suspenseful section and the violent climax is curiously redeeming and satisfying. Noir fans should definitely give this one a look- not as famous as your typical Bogey or Mitchum entry, but just as iconic in its own way.