Steven Ritch plays a stranger who arrives in the small California town of Mountaincrest, with no memory of who he is or how he got there. He also has the unfortunate tendency to sprout hair, claws, and fangs at any old time, and the townsfolk attempt to catch Ritch in his wolfish form. Then two doctors (S. John Launer, George Lynn) follow Ritch there, knowing full well that they're the ones who put him in his predicament, and try to cover up their actions.
"The Werewolf" is a well acted, modest production that gets great mileage out of its Big Bear Lake locations, as well as fine atmosphere. It also puts a fresh spin on the standard werewolf story, taking it into the Atomic Age and giving us a lycanthrope born of not myth and legend but of scientific meddling. Of course, like many a good werewolf story, it's also a tragedy, with a main character who does earn our sympathies. People like Dr. Gilcrist (Ken Christy) and his niece Amy Standish (Joyce Holden) work at convincing the law, represented by Don Megowan as the sheriff and Harry Lauter as his deputy, to please try to take Ritch alive, if possible, knowing that he is a basically good man who cannot control what is happening to him.
The werewolf makeup by Clay Campbell is decent, the stock music appropriated serves its purpose, and there is some very crisp black & white photography by Edward Linden. The performances are fine, with Megowan as a sturdy, jut jawed (if not that expressive) hero; Eleanore Tanin and Kim Charney are appealing as Ritchs' distraught wife and son.
Good entertainment, with a striking finale done in long shot at a dam.
Seven out of 10.