Guerra e Paz

Perhaps the best you can say for Vidor's long, (200 minutes), but surprisingly compact version of Tolstoy's novel is that it is no disgrace despite being 'internationalized' for mass consumption. (It's got an Italian producer, was filmed in Italy, an American director and a large cast from all over the place, leading in some cases to some very unconvincing dubbing). But it's also largely intelligent, well enough acted, particularly by Audrey Hepburn who is an enchanting Natasha, and visually splendid. No less than eight writers worked on the script which fails conspicuously to translate Tolstoy's 'grand ideas' into anything other than Readers-Digest form but then even Bondarchuk's even longer Russian version didn't quite manage the leap from page to screen. You may be forgiven, then, for thinking you are watching nothing more than a grandiose soap-opera even if it's a cut above run-of-the-mill historical 'soap-operas'. But in an age when three-hour-plus epics were ten-a-penny it didn't catch on and come Oscar time it was largely over-looked. (The even bigger but vastly inferior "Around the World in 80 Days" took Best Picture while "War and Peace" failed to snag a nomination in that category). But it is worth seeing if only for Hepburn's under-rated performance and for Henry Fonda, too old and miscast as Pierre, but bringing his liberal gravitas to the part, all the same.