Renúncia ao Ódio

Título original: The Bottom of the Bottle

1956
Approved
1 h 28 min

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Joseph Cotten, Van Johnson, and Ruth Roman in Renúncia ao Ódio (1956)

Adicionar um enredo no seu idiomaIn the border town of Nogales, Arizona, a wealthy attorney and rancher is solicited by his escaped convict brother in aiding him to cross the border into Mexico where his wife and children a... Ler tudoIn the border town of Nogales, Arizona, a wealthy attorney and rancher is solicited by his escaped convict brother in aiding him to cross the border into Mexico where his wife and children are living in poverty.In the border town of Nogales, Arizona, a wealthy attorney and rancher is solicited by his escaped convict brother in aiding him to cross the border into Mexico where his wife and children are living in poverty.

Direção
- Henry Hathaway
Roteiristas
- Sydney Boehm
- Georges Simenon
Artistas

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

6,5/10

347

SUA AVALIAÇÃO

Direção
- Henry Hathaway
Roteiristas
- Sydney Boehm
- Georges Simenon
Artistas

Veja as informações de produção no IMDbPro

Fotos5

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Curiosidades
The chimes on the doorbell to Joseph Cotten (Pat Martin)'s house play "How Dry I Am". Quite fitting considering Van Johnson (Donald)'s drinking problem and the "lushy" household guests that tempt him.

Erros de gravação
The three children speak on the phone excitedly and happily to their father, as if they have a close relationship. But he has been in prison for five years, and the children look under eight.

Citações
Donald Martin: Don't let that beer worry you. I've become a soft-drink man.

Trilhas sonoras
Serenade in Blue
(uncredited)
Music by Harry Warren
Played at the gathering during the rainstorm

Avaliações de usuários17

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Avaliação em destaque

7/10

Excellent study of characters and strong messages of forgiveness

A wonderful body of work. Saw it many years ago on AMC, but has not been shown since. I continue to look with the hopes that any video company would discover this gem and make it available.

Great display of location shooting and the work of the entire cast represent them at their finest.

Van Johnson has never been better, and Joseph Cotten holds on admirably to generate the contrast between the brothers. Ruth Roman,a stalwart of the profession, should have a festival somewhere dedicated to her work. I would definitely attend. I highly recommend one and all to search for this film, and I am happy that there are others who feel the way I do about this body of work.