Noite e Neblina

Título original: Nuit et brouillard

1956
18
32 min

AVALIAÇÃO DA IMDb

SUA AVALIAÇÃO

Adicionar um enredo no seu idiomaThe history of Nazi Germany's death camps of the Final Solution and the hellish world of dehumanization and death contained inside.The history of Nazi Germany's death camps of the Final Solution and the hellish world of dehumanization and death contained inside.The history of Nazi Germany's death camps of the Final Solution and the hellish world of dehumanization and death contained inside.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

8,6/10

22 mil

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Indicado para 1 prêmio BAFTA
- 2 vitórias e 1 indicação no total

Fotos21

+ 14

Elenco principal5

Editar

Michel Bouquet

Narrator
(narração)
(não creditado)

Reinhard Heydrich

Self
(cenas de arquivo)
(não creditado)

Heinrich Himmler

Self
(cenas de arquivo)
(não creditado)

Adolf Hitler

Self
(cenas de arquivo)
(não creditado)

Julius Streicher

Self
(cenas de arquivo)
(não creditado)

Direção
- Alain Resnais
Roteirista
- Jean Cayrol
Elenco e equipe completos
Produção, bilheteria e muito mais no IMDbPro

Mais itens semelhantes

8,2

7,8

8,7

7,7

7,8

7,8

7,6

7,6

O Ano Passado em Marienbad

8,3

Um Homem com uma Câmera

7,5

As estátuas também morrem

7,6

O Batedor de Carteiras

7,0

Muriel

Enredo

Editar

Você sabia?

Editar

Curiosidades
In the DVD re-release, there is a subtle but controversial difference in one of the still photographs of a Nazi concentration camp in southern France. In this version the distinctive profile of a French gendarme can be seen at one of the camps, implying that the French Vichy government of the time was aware of and perhaps involved in the management of the camps. This same photograph appears in the original version but the gendarme's profile was obscured at the insistence of the French government (who commissioned the film) when the film was in post-production.

Erros de gravação
In the film a popular myth about the Third Reich is presented as fact: The claim that the body fat of prisoners in extermination camps was used to produce soap. Though evidence does exist of small-scale soap production, possibly experimental, in the camp at Stutthof concentration camp near Danzig/Gdansk, mainstream scholars of the Holocaust consider the idea that the Nazis manufactured soap on an industrial scale to be part of World War II folklore.

Citações
Récitant/Narrator: With our sincere gaze we survey these ruins, as if the old monster lay crushed forever beneath the rubble. We pretend to take up hope again as the image recedes into the past, as if we were cured once and for all of the scourge of the camps. We pretend it happened all at once, at a given time and place. We turn a blind eye to what surrounds us and a deaf ear to humanity's never-ending cry.

Versões alternativas
Before its original release, there was a still of a French gendarme (policeman) watching a roundup at Pithiviers. He is easily recognizable by the characteristic French "kepi." Wanting to deny complicity, French censors insisted this shot not be allowed, so for its original release, the image was altered so that a wooden beam covered the gendarme and his kepi. In 1997 or 98, the original version of the film was re-released in France, finally revealing the gendarme. The original American release of the film did not translate all the dialogue for the subtitles, in particular leaving out one of the two references to Jews: "Annette, from Bordeaux." Subsequent releases restored the original text: "Annette, a Jew from Bordeaux."

Conexões
Edited from Nazi Concentration Camps (1945)

Avaliações de usuários105

Avaliar

Avaliação em destaque

10/10

oh my god

I originally had no intention to see this movie and had no idea that it even existed until I saw it. I actually saw it in High School Economics class (of all places)because my teacher had just finished showing it to his world history class and instead of wanting to hear him drone on about the GDP and recessions, we smooth talked him into showing us what was in his VCR. We had no idea what we were about to see.

This movie is probably the best holocaust documentary ever made. The images of piles of human hair, emaciated skeletons being pushed around by bulldozers, lampshades of human skin, men looking like corpses walking around, has never left me. The opera and classical music in the background helps to further add to the shock value of this film.

After about 10 minutes, kids in my class told my teacher we didn't want to watch this movie anymore. We stopped it and there was still 30 minutes left in class. We didn't learn anything about economics that day, we talked about the holocaust instead.