Uma produtora de cinema mudo e seu elenco enfrentam uma transição difícil para o cinema falado.Uma produtora de cinema mudo e seu elenco enfrentam uma transição difícil para o cinema falado.Uma produtora de cinema mudo e seu elenco enfrentam uma transição difícil para o cinema falado.
- Indicado a 2 Oscars
- 8 vitórias e 9 indicações no total
Dawn Addams
- Teresa - a Lady-in-Waiting
- (não creditado)
John Albright
- Call Boy
- (não creditado)
Shirlee Allard
- Chorus Girl
- (não creditado)
Bebe Allen
- Chorus Girl
- (não creditado)
Sue Allen
- Chorus Girl
- (não creditado)
John Angelo
- Dancer
- (não creditado)
Marie Ardell
- Chorus Girl
- (não creditado)
Bette Arlen
- 'Miss January' in 'Beautiful Girl' segment
- (não creditado)
David Bair
- Chorus Boy
- (não creditado)
Jane Bateman
- Chorus Girl
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesFor the "Make 'em Laugh" number, Donald O'Connor revived a trick he had done as a young dancer: running up a wall and completing a somersault. The number was so physically taxing that O'Connor ended up in a hospital bed for a week after its completion. He suffered from exhaustion and carpet burns. After an accident ruined all of the initial footage, O'Connor agreed to do the difficult number all over again.
- Erros de gravaçãoDuring the Cyd Charisse nightclub dance number, when she's wrapped around Gene Kelly, her body completely changes position between frames due to a clumsy edit. According to commentary on the special edition DVD, this cut of only a few frames' duration dates back to the original release of the film and no one knows why it exists.
- Citações
Cosmo Brown: Lina. She can't act, she can't sing, she can't dance. A triple threat.
- ConexõesEdited from Os Três Mosqueteiros (1948)
- Trilhas sonorasFit as a Fiddle
(1932)
Music by Al Hoffman (uncredited) and Al Goodhart (uncredited)
Lyrics by Arthur Freed
Originally from the 1932 stage revue "George White's Music Hall Varieties"
Sung by Gene Kelly (uncredited) and Donald O'Connor (uncredited)
Avaliação em destaque
This is my favorite movie musical with no stage forebear.
Consider what's in the mix: A cachet of songs, all tried-and-true from other movies. A cast that was at the top of its form, all the way from Kelly himself to the supporting leads played by Rita Moreno and Millard Mitchell. A script that is, at once, romantic and exciting and sharp and funny.
Stir together with a generous heaping of MGM color and a dash of a director with a stellar pedigree and the result is, well, something like "Singin' in the Rain."
There's not a misstep in the movie's entire 103-minute running time. I love the pokes at early filmmaking ("She never *did* figure out where that microphone was, boss!") and the sheer energy of the musical numbers ("Fit as a Fiddle," "Good Mornin'").
Not only that, but there's not a more romantic scene in all of filmdom that can compare with Reynolds and Kelly dancing to "You Were Meant for Me." Their side-by-side tap dancing says more about how they feel about each other than pages and pages of dialog.
Great stuff!
If you think this movie is just the sequence of Kelly splashing like a five-year-old in a puddle, you obviously haven't seen the entire film. Do so--now! You won't regret it!
PS: In the "rent-this-too" category, if you've seen and love "Singin' in the Rain," check out "The Band Wagon." It skewers the world of theater in much the same way as this film roasts Hollywood!
Consider what's in the mix: A cachet of songs, all tried-and-true from other movies. A cast that was at the top of its form, all the way from Kelly himself to the supporting leads played by Rita Moreno and Millard Mitchell. A script that is, at once, romantic and exciting and sharp and funny.
Stir together with a generous heaping of MGM color and a dash of a director with a stellar pedigree and the result is, well, something like "Singin' in the Rain."
There's not a misstep in the movie's entire 103-minute running time. I love the pokes at early filmmaking ("She never *did* figure out where that microphone was, boss!") and the sheer energy of the musical numbers ("Fit as a Fiddle," "Good Mornin'").
Not only that, but there's not a more romantic scene in all of filmdom that can compare with Reynolds and Kelly dancing to "You Were Meant for Me." Their side-by-side tap dancing says more about how they feel about each other than pages and pages of dialog.
Great stuff!
If you think this movie is just the sequence of Kelly splashing like a five-year-old in a puddle, you obviously haven't seen the entire film. Do so--now! You won't regret it!
PS: In the "rent-this-too" category, if you've seen and love "Singin' in the Rain," check out "The Band Wagon." It skewers the world of theater in much the same way as this film roasts Hollywood!
- dweck
- 31 de jan. de 1999
- Link permanente
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Cantando bajo la lluvia
- Locações de filme
- Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Califórnia, EUA(New York City Streets)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.540.800 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.884.537
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.643
- 10 de nov. de 2002
- Faturamento bruto mundial
- US$ 2.093.659
- Tempo de duração1 hora 43 minutos
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1
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By what name was Cantando na Chuva (1952) officially released in India in Hindi?
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