Adicionar um enredo no seu idiomaA scientist creates a beautiful "perfect woman", but since she is artificial, she seems soul-less and with no sense of morality, she brings ruin to all around her.A scientist creates a beautiful "perfect woman", but since she is artificial, she seems soul-less and with no sense of morality, she brings ruin to all around her.A scientist creates a beautiful "perfect woman", but since she is artificial, she seems soul-less and with no sense of morality, she brings ruin to all around her.
Erich von Stroheim
- Jacob ten Brinken
- (as Erich v. Stroheim)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThis was not released in the United States until almost five years later when it was picked up by DCA (Distributors Corporation of America) and released in an edited and English dubbed version under the title "Unnatural...The Fruit of Evil."
Avaliação em destaque
Unusual horror film pearl with Hildegard Knef and Erich von Stroheim
This German black-and-white film premiered on October 23, 1952 at the Europa-Filmpalast Düsseldorf and is based on the novel (1911) by Hanns Heinz Ewers, which has already been filmed several times. The film was directed by Arthur Maria Rabenalt and produced by, among others, the Carlton Filmgesellschaft, whose producer Günther Stapenhorst, as UFA production manager at the time, supervised the Kästner film adaptation "Emil and the Detectives" (1931), which is still well worth seeing, and a few years later the was supposed to produce the legendary film adaptation of "Im Weißen Rössl" (1960) with Peter Alexander. "Alraune" was shot in the Bavaria film studio Geiselgasteig and on exterior shots in Munich and the surrounding area.
What's it about? A beautiful young woman named Alraune (Hildegard Knef) casts a mysterious spell on all men who lay eyes on her. This is what happens to young Frank Braun (Karlheinz Böhm) and his friends (including the fabulous and very attractive Harry Meyen) when they discover the unknown beauty in Frank's uncle's garden. This Professor Jacob ten Brinken (Erich von Stroheim) is a somewhat strange fellow. And so it gradually turns out that the young woman, whom the old scientist introduces as his daughter, was born in a very bizarre way. This is how the misfortune takes its course. Although Alraune has unusual powers that prove to be very rewarding financially, her magical attraction to men is causing more and more people to fall into ruin, without her longing for her own true love being fulfilled.
This eerily sparkling film gem indulges in expressionism and horror romance and, with its dark atmosphere and great cast, is a real treat for film enthusiasts. Hildegard Knef inspires and convinces as an unearthly beauty. After her return from Hollywood, she made one film after another in those years and was (still) the undisputed superstar of the Federal Republic film industry.
Erich von Stroheim (1885-1957), born in Vienna, had lived in the USA since 1909 and became an important director and film actor there (for example in the Billy Wilder classics "Five Graves to Cairo" (1943) and "Boulevard of Twilight" (1950) fits perfectly into the role of the crazy genius.
Karlheinz Böhm (three years later he would achieve worldwide fame alongside Romy Schneider in the "Sissi" films) and Harry Meyen, who undeservedly never made it that big (a decade later, Romy Schneider's first husband) fit perfectly arrogant charmers who cannot escape the mysterious magic of dangerous beauty.
In a supporting role, Hans Cossy (the actor was the first husband of the woman later known as Vera Brühne, who was to become a defendant in a spectacular murder trial in the early 1960s, which was then made into a film with Corinna Harfouch in the title role) impresses as the coachman Mathieu , who will be remembered for his striking face and his imposing appearance.
This film is very worth seeing. Great actors, an eerie atmosphere, a horror film that was basically invented in Germany in the 1920s, but unfortunately was later made far too rarely. From February 1957 the film was also shown in the USA under the title "Unnatural...The Fruit of Evil". Von Stroheim was still alive, after her phenomenal Broadway success as Ninotschka in the musical "Silk Stockings", Knef was now also a celebrity in the States as HILDEGARDE NEFF. That probably helped to bring the film, which was already five years old at the time, into cinemas.
This German black-and-white film premiered on October 23, 1952 at the Europa-Filmpalast Düsseldorf and is based on the novel (1911) by Hanns Heinz Ewers, which has already been filmed several times. The film was directed by Arthur Maria Rabenalt and produced by, among others, the Carlton Filmgesellschaft, whose producer Günther Stapenhorst, as UFA production manager at the time, supervised the Kästner film adaptation "Emil and the Detectives" (1931), which is still well worth seeing, and a few years later the was supposed to produce the legendary film adaptation of "Im Weißen Rössl" (1960) with Peter Alexander. "Alraune" was shot in the Bavaria film studio Geiselgasteig and on exterior shots in Munich and the surrounding area.
What's it about? A beautiful young woman named Alraune (Hildegard Knef) casts a mysterious spell on all men who lay eyes on her. This is what happens to young Frank Braun (Karlheinz Böhm) and his friends (including the fabulous and very attractive Harry Meyen) when they discover the unknown beauty in Frank's uncle's garden. This Professor Jacob ten Brinken (Erich von Stroheim) is a somewhat strange fellow. And so it gradually turns out that the young woman, whom the old scientist introduces as his daughter, was born in a very bizarre way. This is how the misfortune takes its course. Although Alraune has unusual powers that prove to be very rewarding financially, her magical attraction to men is causing more and more people to fall into ruin, without her longing for her own true love being fulfilled.
This eerily sparkling film gem indulges in expressionism and horror romance and, with its dark atmosphere and great cast, is a real treat for film enthusiasts. Hildegard Knef inspires and convinces as an unearthly beauty. After her return from Hollywood, she made one film after another in those years and was (still) the undisputed superstar of the Federal Republic film industry.
Erich von Stroheim (1885-1957), born in Vienna, had lived in the USA since 1909 and became an important director and film actor there (for example in the Billy Wilder classics "Five Graves to Cairo" (1943) and "Boulevard of Twilight" (1950) fits perfectly into the role of the crazy genius.
Karlheinz Böhm (three years later he would achieve worldwide fame alongside Romy Schneider in the "Sissi" films) and Harry Meyen, who undeservedly never made it that big (a decade later, Romy Schneider's first husband) fit perfectly arrogant charmers who cannot escape the mysterious magic of dangerous beauty.
In a supporting role, Hans Cossy (the actor was the first husband of the woman later known as Vera Brühne, who was to become a defendant in a spectacular murder trial in the early 1960s, which was then made into a film with Corinna Harfouch in the title role) impresses as the coachman Mathieu , who will be remembered for his striking face and his imposing appearance.
This film is very worth seeing. Great actors, an eerie atmosphere, a horror film that was basically invented in Germany in the 1920s, but unfortunately was later made far too rarely. From February 1957 the film was also shown in the USA under the title "Unnatural...The Fruit of Evil". Von Stroheim was still alive, after her phenomenal Broadway success as Ninotschka in the musical "Silk Stockings", Knef was now also a celebrity in the States as HILDEGARDE NEFF. That probably helped to bring the film, which was already five years old at the time, into cinemas.
- ZeddaZogenau
- 18 de out. de 2023
- Link permanente
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Detalhes
- Tempo de duração1 hora 32 minutos
- Cor
- Mixagem de som
- Proporção
- 1.33 : 1
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By what name was Mandrágora (1952) officially released in Canada in English?
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