Operette

1940
1 h 47 min

AVALIAÇÃO DA IMDb

SUA AVALIAÇÃO

Adicionar um enredo no seu idiomaA musician is offered a job in Vienna as stage director, but his disagreements with Maria, the aristocratic opera manager, end in abrupt firing in spite of a mutual attraction. He is quickly... Ler tudoA musician is offered a job in Vienna as stage director, but his disagreements with Maria, the aristocratic opera manager, end in abrupt firing in spite of a mutual attraction. He is quickly engaged by another theatre and will become famous for his lavish stage productions and fi... Ler tudoA musician is offered a job in Vienna as stage director, but his disagreements with Maria, the aristocratic opera manager, end in abrupt firing in spite of a mutual attraction. He is quickly engaged by another theatre and will become famous for his lavish stage productions and fine acting of operettas, which start their golden age with Suppé and Strauss.

Direção
- Willi Forst
- Karl Hartl
Roteiristas
- Axel Eggebrecht
- Willi Forst
Artistas

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

8,0/10

SUA AVALIAÇÃO

Direção
- Willi Forst
- Karl Hartl
Roteiristas
- Axel Eggebrecht
- Willi Forst
Artistas

3Avaliações de usuários

Veja as informações de produção no IMDbPro

Prêmios
- 1 indicação no total

Fotos

Mais itens semelhantes

7,5

Ritmos Vienenses

7,6

Wen die Götter lieben

Enredo

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Curiosidades
Dora Komar's debut.

Erros de gravação
Emilie Krall was in Vienna with her husband Franz Jauner in the 1870s, not in Germany, as suggested in the movie. Also at that time she was not performing anymore and was only singing for private parties. She wouldn't have signed a contract for a theater in Dresden.

Citações
Franz Jauner: At the theater you have to throw the money out of the window. Then it will come back through the door.

Trilhas sonoras
Ich heute ja so verliebt
Music Willy Schmidt Gentner
Sung by Elfie Mayerhofer

Avaliações de usuários3

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Avaliação em destaque

8/10

CHARMING AND MELANCHOLIC

It was in a 1963 interview that Willy Forst said that from 1938 onwards he made his most Austrian films. That is: he showed an Austria that had ceased to be, even as a fantasy.

Operette is a fine example. It has charm, tenderness and wit; it is galant and melancholic. Forst's directing is as always that of the light touch which gives the film a feeling of charm (though the influence of Karl Hartl is unclear to me). Of course Forst was helped by a very good script by his regular (co)writer Eggebrecht, that cleverly and plausibly romanticizes the lives of 3 main operetta composers.

It brought together 2 gentlemen of the German/Austrian cinema: Forst himself and Siegfried Breuer in main parts. The overall splendid cast includes Curd Jürgens who is almost unrecognizable. The music is played brilliantly by the Wiener Philharmoniker; the ballets and dances are graceful.

That is what film is about: to bring back alive an already dead fantasy.