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Um homem condenado por assassinar sua esposa escapa da prisão e trabalha com uma mulher para tentar provar sua inocência.Um homem condenado por assassinar sua esposa escapa da prisão e trabalha com uma mulher para tentar provar sua inocência.Um homem condenado por assassinar sua esposa escapa da prisão e trabalha com uma mulher para tentar provar sua inocência.
John Alvin
- Blackie
- (cenas deletadas)
John Arledge
- Lonely Man
- (não creditado)
Leonard Bremen
- Bus Ticket Clerk
- (não creditado)
Clancy Cooper
- Man on Street Seeking Match
- (não creditado)
Deborah Daves
- Child with Aunt Mary
- (não creditado)
Michael Daves
- Michael
- (não creditado)
Tom Fadden
- Diner Counterman Serving Parry
- (não creditado)
Bob Farber
- Policeman
- (não creditado)
Mary Field
- Aunt Mary
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThe actual 1937 Art Deco apartment building used in the film (located at 1360 Montgomery St. in San Francisco) is still standing as of 2023. The apartment (No. 10) is marked by a cardboard cut-out of Humphrey Bogart, which can be seen from the street. The site is visited frequently by fans of vintage film noir. The unit has one bath, one bedroom and 861 square feet, and was last sold in 2016 for $1.5M.
- Erros de gravaçãoAfter Parry's bandages are removed, there are no stitches or bruises, nor is there the sort of facial swelling that always results from plastic surgery.
- Citações
Vincent Parry: You know, it's wonderful when guys like you lose out. Makes guys like me think maybe we got a chance in this world.
- Versões alternativasAlso available in a computer-colorized version.
- ConexõesEdited from San Quentin (1937)
- Trilhas sonorasToo Marvelous for Words
(uncredited)
Music by Richard A. Whiting
Lyrics by Johnny Mercer
Performed on record twice by Jo Stafford
Also played on the jukebox at the bus station
Also played at the cafe in Peru and during the end credits
Avaliação em destaque
Sadly, or perhaps not, most condemned prisoners do not have a dame, a dude, and a plastic surgeon around to break their falls when they escape. But when Bogart busts out of the big house, San Quentin, the Good Samaritans start popping up like dandelions. His method of escape is to throw himself down a steep incline in a steel barrel. The cameraman rides tandem and becomes his eyes and point-of-view. Bogart hitches a ride with a nosy fellow I've seen before in the movies. He has deep-set eyes and a divot in his chin. Bogart quickly dispatches the mug to dreamland and ventures out into an uncertain landscape of creeps and coppers. Instead, Bogart catches a break: he discovers he has a groupie played by Lauren Bacall. She is out painting landscapes when she hears the bulletin over the radio. She knows everything about his case. She even sat in the courtroom during his trial. She felt he got a raw deal. The dude he meets is a close friend who plays the horn. He allows Bogart safe haven to rest. Incredibly, Bogart steps into the cab of yet another sympathetic character. The cabbie guides him to a doctor who wields a wild scalpel. Bogart's ex-flame also knows Bacall--and is a royal pain in the neck. The coincidences pile up higher than The Golden Gate Bridge. Bogie and Bacall may have more well known films on their resumes, but this one will keep a big fat smile on your face.
- copper1963
- 12 de mai. de 2006
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Dark Passage
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.600.000 (estimativa)
- Faturamento bruto mundial
- US$ 9.693
- Tempo de duração1 hora 46 minutos
- Cor
- Proporção
- 1.37 : 1
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What is the Japanese language plot outline for Prisioneiro do Passado (1947)?
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