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Um homem está reunido com sua amiga de infância e seu marido, que acreditam saber a verdade sobre a morte de sua rica tia anos antes.Um homem está reunido com sua amiga de infância e seu marido, que acreditam saber a verdade sobre a morte de sua rica tia anos antes.Um homem está reunido com sua amiga de infância e seu marido, que acreditam saber a verdade sobre a morte de sua rica tia anos antes.
- Indicado a 1 Oscar
- 2 indicações no total
Gene Ashley
- Man
- (não creditado)
Walter Baldwin
- Dempsey
- (não creditado)
Gino Corrado
- Nightclub Waiter
- (não creditado)
Catherine Craig
- French Maid
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesKirk Douglas earned this, his debut role, with the help of his old drama school friend Lauren Bacall who knew that producer Hal B. Wallis was looking for fresh talent, and she suggested Douglas to him. She encouraged Wallis to watch a play featuring Douglas. When he did, Wallis was so impressed by his performance that he cast Douglas in this film.
- Erros de gravaçãoBefore taking the shower in the hotel, while slipping her coat of, Toni winks up in the air with her left eye and shows a little smirk apparently to someone from the film crew.
- Citações
Sailor: [after Sam has crashed his car] What happened?
Sam Masterson: The road curved, but I didn't.
- Cenas durante ou pós-créditosOpening credits prologue: IVERSTOWN 1928.
- ConexõesFeatured in Paramount Presents (1974)
Avaliação em destaque
Martha Ivers, a young girl under the guardianship of her grandmother played by Judith Anderson, tries often to run away, but is brought back every time. Grandma is one powerful autocratic and twisted old woman. One night after Grandma kills the girl's cat, she kills her. Her tutor's son sees the deed and now has blackmail power. Young Martha also thinks someone else has seen the deed, young Sam Masterson who she has a yen for. He actually skedaddled before witnessing anything.
Flash forward several years. Now everyone is grown up. Barbara Stanwyck is Martha and she's married the tutor's son played by Kirk Douglas in his film debut. He's also the District Attorney. And the main action of the film begins as grown up Sam Masterson who is played by Van Heflin comes back to his home town. He's treated rather strangely and it takes him a while to figure out why.
Life has a funny way of working out and Stanwyck has essentially turned into Anderson. Heflin is no real hero here either, he's quite willing to engage in some blackmail. But he's redeemed somewhat by the love of another girl from the wrong side of the tracks, Lizabeth Scott.
The film is memorable for two reasons, the power packed performance of Barbara Stanwyck and the debut of Kirk Douglas. This is a choice Barbara Stanwyck role, a powerful ruthless woman who'll do anything to keep and protect what's hers.
It's odd that Kirk Douglas makes his debut as a weakling, but even stranger that the dynamism that is his screen trademark is so well hidden in this portrayal. This part isn't exactly Spartacus. But Kirk is one capable player.
Heflin and Scott do well in their respective parts, but even though she's only on the screen for the first 15 minutes the one you won't forget is Judith Anderson. Seeing Stanwyck with her machinations later on, you wonder what must have made Anderson such a twisted human being.
The Strange Loves of Martha Ivers is a well plotted melodrama that does credit to all involved.
Flash forward several years. Now everyone is grown up. Barbara Stanwyck is Martha and she's married the tutor's son played by Kirk Douglas in his film debut. He's also the District Attorney. And the main action of the film begins as grown up Sam Masterson who is played by Van Heflin comes back to his home town. He's treated rather strangely and it takes him a while to figure out why.
Life has a funny way of working out and Stanwyck has essentially turned into Anderson. Heflin is no real hero here either, he's quite willing to engage in some blackmail. But he's redeemed somewhat by the love of another girl from the wrong side of the tracks, Lizabeth Scott.
The film is memorable for two reasons, the power packed performance of Barbara Stanwyck and the debut of Kirk Douglas. This is a choice Barbara Stanwyck role, a powerful ruthless woman who'll do anything to keep and protect what's hers.
It's odd that Kirk Douglas makes his debut as a weakling, but even stranger that the dynamism that is his screen trademark is so well hidden in this portrayal. This part isn't exactly Spartacus. But Kirk is one capable player.
Heflin and Scott do well in their respective parts, but even though she's only on the screen for the first 15 minutes the one you won't forget is Judith Anderson. Seeing Stanwyck with her machinations later on, you wonder what must have made Anderson such a twisted human being.
The Strange Loves of Martha Ivers is a well plotted melodrama that does credit to all involved.
- bkoganbing
- 8 de dez. de 2005
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- The Strange Love of Martha Ivers
- Locações de filme
- Los Angeles, Califórnia, EUA(Southern Pacific Railroad yard)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 56 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was O Tempo Não Apaga (1946) officially released in India in English?
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