Adicionar um enredo no seu idiomaAn ex-dancer and New York radio star narrates his love story for a band singer who loved a self-centered man who was unable to commit to his nightclub business or his family.An ex-dancer and New York radio star narrates his love story for a band singer who loved a self-centered man who was unable to commit to his nightclub business or his family.An ex-dancer and New York radio star narrates his love story for a band singer who loved a self-centered man who was unable to commit to his nightclub business or his family.
- Indicado a 2 Oscars
- 2 indicações no total
- Dancer
- (não creditado)
- Dolly
- (não creditado)
- Dancer
- (não creditado)
- Flapper
- (não creditado)
- Dancer
- (não creditado)
- Restaurant Patron
- (não creditado)
- Dancer
- (não creditado)
- Dancer
- (não creditado)
- Showgirl
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesAfter Fred Astaire announced his retirement before completing this film, New York's Paramount Theater generated a petition of 10,000 names to persuade him to come out of retirement.
- Erros de gravaçãoAt the beginning of the movie, which is just after World War I, the Crosby character tells the De Wolfe character to do his Frankenstein routine. The Frankenstein character he does is based on Boris Karloff's 1931 version which some ten years or so in the future. At that time in the movie Frankenstein was just a creature in Mary Shelly's book.
- Citações
Jed Potter: Song and Dance Man.
Johnny Adams: Song and Dance Man, that's right.
Jed Potter: He didn't remember it then, how could he know it now?
Johnny Adams: Oh, get out, I bet I could do it right now, the whole thing.
- ConexõesFeatured in The Dick Cavett Show: Fred Astaire (1970)
- Trilhas sonorasA Pretty Girl Is Like a Melody
Words and Music by Irving Berlin (1919)
Sung by Fred Astaire
Danced by Fred Astaire, Joan Caulfield, chorus
Blue Skies does suffer from a rather tired and over corny story, and it also feels rather thin with a romance that felt like filler and not much else. Joan Caulfield is both incredibly bland and sometimes annoying in a very underwritten part, and the comedy was patchy. In fact, a lot of the comedy falls as flat as a lead balloon and this is not helped by the overplaying of Billy De Wolfe(though he has his moments). And as good as Bing Crosby is, he comes over as rather stiff and clumsy in his acting here, which is a shame as he has shown a lot of natural presence and likability before.
The film looks great however, with some very clever photography in the Puttin' On the Ritz scene and charming costumes and sets. Irving Berlin's songs are marvellous, the Oscar-nominated You Keep Coming Back Like a Song and the unforgettably energetic Puttin' On the Ritz being the standouts, Blue Skies is a beautiful song too. The score is lush and whimsical. Every bit as good as the songs is the characterful and graceful choreography, the truly outstanding number being Puttin' On the Ritz, the whole scene is spectacular and one of Astaire's most classic routines. Crosby sings absolutely beautifully and Olga San Juan brings fire and charm to a rather one-dimensional part with her particularly shining in the Latin rhythm duet I'll See You in Cuba with Crosby, but other than Puttin' On the Ritz, it's the divine dancing and performance of Fred Astaire that makes Blue Skies worth watching.
All in all, decent film but with the likes of Crosby, Astaire and Berlin involved you expect more than just decent. 6/10 Bethany Cox
- TheLittleSongbird
- 24 de jun. de 2015
- Link permanente
Principais escolhas
- How long is Blue Skies?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Blue Skies
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 3.000.000 (estimativa)
- Tempo de duração1 hora 39 minutos
- Proporção
- 1.37 : 1