Romance de um Trovador

Título original: Minstrel Man

1944
1 h 7 min

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Alan Dinehart, Judy Clark, Jerome Cowan, Benny Fields, Gladys George, Roscoe Karns, and Lee 'Lasses' White in Romance de um Trovador (1944)

Adicionar um enredo no seu idiomaThe story of a singer in a minstrel show, from his career highs to the tragedies in his personal life.The story of a singer in a minstrel show, from his career highs to the tragedies in his personal life.The story of a singer in a minstrel show, from his career highs to the tragedies in his personal life.

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4,7/10

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Indicado a 2 Oscars
- 2 indicações no total

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Curiosidades
PRC Studio's didn't garner many (if any) Oscar nominations, but did get one for the Paul Francis Webster, Harry Revel-penned; Remember Me to Carolina. Composer, Walter Donaldson, who wrote; Did I Remember, for the Jean Harlow film, Suzy (1936) thought the tunes were too similar. He sued for plagiarism, with the dispute settled out of court.

Erros de gravação
Todas as entradas contêm spoilers

Conexões
Edited from Quando os Deuses Desfazem (1934)

Trilhas sonoras
Cindy
Lyrics by Paul Francis Webster (as Paul Webster)
Music by Harry Revel
Performed by Benny Fields (uncredited)
also performed by Judy Clark (uncredited)

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Avaliação em destaque

3/10

Let's revive the minstrel show

I'm not sure and I'm certain to be corrected if I'm wrong, but Minstrel Man might very well be the only PRC film ever to get recognition from the Academy. It received two Oscar nominations for Best Song and for musical scoring.

A studio known for its pinch penny budgets for noirs, westerns, and a few horror films producing a musical? It's worth the novelty just to watch the thing.

A year before Minstrel Man came out Paramount even used Technicolor in its minstrel film Dixie that starred Bing Crosby. The folks at PRC thought that maybe a minstrel film would work for them. Of course they did not have Crosby or color.

The lead here is Benny Fields who was a well known song and dance man and became even better known when he teamed on the stage and in life with Blossom Seeley. Blossom was smart enough to stay away from this.

Good song and dance man that he was Fields just couldn't act. When not singing he's wooden and as charming as a wet napkin. The story covers some thirty years of the life of Fields's character Dixie Boy Johnson.

The climax involves the revival of minstrel shows. I mean in 1944, really?

Seasoned performers like Gladys George and Roscoe Karns are wasted as the surrogate parents to the daughter of Dixie Boy Johnson. And a pretty perky blond like Molly Lamont wants to hide that beauty under cork makeup. Give me a break.

It's more than the subject matter that's kept this film under wraps.