Vivo para Cantar

Título original: Can't Help Singing

1944
Approved
1 h 30 min

AVALIAÇÃO DA IMDb

SUA AVALIAÇÃO

Deanna Durbin, Leonid Kinskey, Robert Paige, and Akim Tamiroff in Vivo para Cantar (1944)

Adicionar um enredo no seu idiomaA senator's daughter (who can't help singing) follows her boyfriend West in the days of the California gold rush.A senator's daughter (who can't help singing) follows her boyfriend West in the days of the California gold rush.A senator's daughter (who can't help singing) follows her boyfriend West in the days of the California gold rush.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

6,2/10

672

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Indicado a 2 Oscars
- 2 indicações no total

Fotos21

+ 14

Elenco principal90

Editar

Deanna Durbin

Caroline Frost

Robert Paige

Lawlor

Akim Tamiroff

Gregory

David Bruce

Dr. Robert Latham

Leonid Kinskey

Koppa

June Vincent

Miss McLean

Ray Collins

Sen. Martin Frost

Andrew Tombes

Sad Sam

Thomas Gomez

Jake Carstairs

Clara Blandick

Aunt Cissy

Olin Howland

Bigelow
(as Olin Howlin)

George Cleveland

Marshal

Enrique Acosta

Passenger on Pier
(não creditado)

Eddie Acuff

Cavalry Officer
(não creditado)

Richard Alexander

Pioneer
(não creditado)

Michael Ansara

California Caballero
(não creditado)

Gertrude Astor

Pioneer Woman - Warren's Mother
(não creditado)

Roscoe Ates

Lemuel
(não creditado)

Mais itens semelhantes

7,6

6,7

7,0

6,9

6,6

Três Pequenas do Barulho

6,4

6,6

7,6

6,5

6,5

6,3

6,6

Enredo

Editar

Você sabia?

Editar

Curiosidades
This is Deanna Durbin's only Technicolor vehicle. Unfulfilled plans to showcase her in color, proposed between 1938-53, included these eventually produced films: O Primeiro Amor (1939) (which starred her in black and white), O Fantasma da Ópera (1943) (Susanna Foster in Technicolor), Um Sonho Desfeito (1948) (in black and white), Na Corte do Rei Artur (1949) (Rhonda Fleming in Technicolor), Melba (1953) (Patrice Munsel in Technicolor), Dá-me um Beijo (1953) (Kathryn Grayson in Anscocolor), O Príncipe Estudante (1954) (Ann Blyth in Anscocolor) and Canção do Sol da Meia Noite (1970) (Florence Henderson in Color by DeLuxe). As reported by A.H. Weiler in "The New York Times" on 8/3/1947, Deanna Durbin was being offered a black-and-white filming in Britain of Ao Pé do Cadafalso (1953), which ultimately featured Dorothy Tutin portraying Polly Peachum in Technicolor.

Erros de gravação
After her bath Caroline changes into a clean white dress. However, she has had no access to her trunk where she would have kept her clothing. Such a voluminous dress couldn't have been stored in her hat-box or her small case, her only other luggage.

Citações
Miss McLean: [to Latham] You know the first time I saw you, you were riding in the park on a beautiful white steed. It was love at first sight. I'm convinced now it was the horse.

Conexões
Referenced in Hollywood on Trial (1976)

Trilhas sonoras
MARCH
Music by Jerome Kern
(instrumental, first scene)

Avaliações de usuários24

Avaliar

Avaliação em destaque

Deanna given some great Jerome Kern songs in technicolor western musical...

Toward the end of her career at Universal, they finally splurged on technicolor and fancy scenery for an enjoyable, tuneful,colorful western-comedy-romance, 'Can't Help Singing' featuring a musical score by Jerome Kern. Deanna's father (Ray Collins) wants her to forget the Army officer she loves (David Bruce) and sends him off to California during the Gold Rush days. Deanna decides to go west to find him--but en route falls in love with a handsome cowboy (Robert Paige). Against some stunning technicolor scenery, much of the music is given the full treatment by Durbin at her best--her voice was richer than ever. She does a standout job on 'Can't Help Singing', 'More and More', and 'Cali-for-ni-ay' and even duets with Robert Paige for a reprise of the title song (both in outdoor bathing tubs up to their necks in soap bubbles). Some of the comedy routines seem a bit strained and weak--but overall it's a wonderful showcase for Deanna Durbin and her fans certainly should appreciate the chance to see her at her radiant best. AMC shows it in a beautifully restored technicolor print.