Da Broadway a Hollywood

Título original: Broadway to Hollywood

1933
Approved
1 h 25 min

AVALIAÇÃO DA IMDb

SUA AVALIAÇÃO

Alice Brady, Jackie Cooper, and Frank Morgan in Da Broadway a Hollywood (1933)

Adicionar um enredo no seu idiomaA vaudeville couple quit to raise a son, then come back with their grandson in the act.A vaudeville couple quit to raise a son, then come back with their grandson in the act.A vaudeville couple quit to raise a son, then come back with their grandson in the act.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

5,7/10

372

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Fotos12

+ 7

Elenco principal49

Editar

Alice Brady

Lulu Hackett

Frank Morgan

Ted Hackett

Jackie Cooper

Ted Hackett Jr. as a Child

Russell Hardie

Ted Hackett Jr.

Madge Evans

Anne Ainsley

Mickey Rooney

Ted Hackett III as a Child

Eddie Quillan

Ted Hackett III

Jimmy Durante

Jimmy - Hollywood Character

Fay Templeton

Fay Templeton - Production Number Singer - Edited from The March of Time (1930)
(cenas de arquivo)

May Robson

Veteran Actress

Albertina Rasch Dancers

Dancing Ensemble - Edited from The March of Time (1930)
(cenas de arquivo)
(as Albertina Rasch Dancers)

Tad Alexander

Cousin David
(não creditado)

Sidney Bracey

Man in Balcony
(não creditado)

Edward Brophy

Joe Mannion
(não creditado)

Ruth Channing

Wanda
(não creditado)

William Collier Sr.

William Collier Sr. - Vaudeville Act
(cenas de arquivo)
(não creditado)

Marie Dressler

Self
(cenas de arquivo)
(não creditado)

Claire Du Brey

Aunt Clara
(não creditado)

Direção
- Willard Mack
- Jules White
Roteiristas
Elenco e equipe completos
Produção, bilheteria e muito mais no IMDbPro

Enredo

Editar

Você sabia?

Editar

Curiosidades
Nelson Eddy - 33 at the time - was required to do a screen test for the film). Eddy's test took 58 takes and even the best was determined to be awful. MGM studio head Louis B. Mayer overruled everyone and ordered that he be only used for a singing sequence in the film.

Citações
Lulu Hackett: Actors haven't any more rights than other people. Anyway, I ain't crazy over actors.
Ted Hackett: Aww, don't say that, mama. It's a grand old profession.
Lulu Hackett: Yeah, I don't know about that. We're like monkeys climbing up and hanging by our tails, and the people outside the cages laugh and think it's funny. Yeah. Well, that's all right, so long as we don't quit amusing them.
Ted Hackett: Yeah, but we never quit. That's something performers don't do. They go on and on. They die, mother, but they don't quit.

Cenas durante ou pós-créditos
Intro: "New York in the late 80's. Its great variety hall and most popular place of entertainment - - Tony Pastor's Theatre - where the greatest celebrities known to the amusement world started their careers. Upon its historical old stage this story begins."

Conexões
Edited from The March of Time (1930)

Trilhas sonoras
When Old New York Was Young
(uncredited)
Music by Gus Edwards
Played during the opening credits

Avaliações de usuários12

Avaliar

Avaliação em destaque

6/10

like the idea

It's the 80's at Tony Pastor's Theatre. Ted (Frank Morgan) and Lulu Hackett (Alice Brady) are The Hacketts, a semi-successful married couple vaudevillian song and dance team. They have their baby in their dressing room. They bring up their child Ted Jr. (Jackie Cooper) in the business. As an adult, Junior (Russell Hardie) exceeds his parents and follows his girl Anne Ainsley (Madge Evans) to another show. Ted quits the new show and the spotlight on his son out of pride. He finds that their old standards are out of date. Junior suffers from the drink after Anne's tragic death. It's the grandson Ted Hackett III (Mickey Rooney)'s turn to join The Three Hacketts. As an adult, he moves away to Hollywood by himself and gets into the movies but history seems to be repeating itself.

I like the premise of a multi-generational performing family. It promises to follow the family thru the entertainment business during some great changes. This has some interesting actors including a couple of famous child stars like pre-teen Mickey Rooney. The execution leaves something to be desired. It's a bit disjointed as the story keeps jumping forward in time. The idea is there, but it's not really fulfilled. I want Ted to stay with his younger generations and become their manager. There is plenty of potential conflicts as an overbearing stage father. Separating the family and the disjointedness of time jumping leave me a bit cold.