AVALIAÇÃO DA IMDb
7,9/10
17 mil
SUA AVALIAÇÃO
Um ladrão refinado e uma gatuna se aliam para aplicar um golpe em uma bela empresária do ramo da perfumaria.Um ladrão refinado e uma gatuna se aliam para aplicar um golpe em uma bela empresária do ramo da perfumaria.Um ladrão refinado e uma gatuna se aliam para aplicar um golpe em uma bela empresária do ramo da perfumaria.
- Prêmios
- 6 vitórias no total
Charles Ruggles
- The Major
- (as Charlie Ruggles)
Luis Alberni
- Annoyed Opera Fan
- (não creditado)
Hooper Atchley
- Insurance Agent
- (não creditado)
Tyler Brooke
- Commercial Singer
- (não creditado)
Marion Byron
- Maid
- (não creditado)
Louise Carter
- Woman with Wrong Handbag
- (não creditado)
Gino Corrado
- Venetian
- (não creditado)
George Humbert
- Waiter in Venice
- (não creditado)
Perry Ivins
- Radio Commentator
- (não creditado)
Leonid Kinskey
- Russian Visitor
- (não creditado)
Gus Leonard
- Elderly Servant
- (não creditado)
Carl M. Leviness
- Party Guest
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThe scenes in which Herbert Marshall is running up and down the stairs at Madame Colet's were done with a double who is only seen from the rear. Mr. Marshall lost a leg in WWI and although it was almost impossible to notice that he used a prosthesis, he could not perform any action that called for physical agility.
- Erros de gravação(at around 10 mins) A very clear shadow of a boom mic moves against the wall/screen behind Lily, anticipating her next action (rising and moving toward Gaston).
- Citações
Gaston Monescu: Madame Colet, if I were your father, which fortunately I am not, and you made any attempt to handle your own business affairs, I would give you a good spanking - in a business way, of course.
Mariette Colet: What would you do if you were my secretary?
Gaston Monescu: The same thing.
Mariette Colet: You're hired.
- Cenas durante ou pós-créditosIn the opening credits, the words 'Trouble in' appear and then a bed before the word 'paradise', subliminally indicating that sex is at least part of the film's plot. It was done so subtly for the time that censors didn't notice it until the film's attempted re-release in 1935.
- ConexõesFeatured in Paramount Presents (1974)
- Trilhas sonorasTrouble in Paradise
Music by W. Franke Harling
Lyrics by Leo Robin
Sung by Donald Novis (uncredited)
[Played during opening title card and credits]
Avaliação em destaque
An utterly beautiful film. I watched this for at least the umpteenth time last night - maybe once a year every year since I taped it off TV in 1987. Did it let me down? It hasn't yet and I don't think it ever will: I was as captivated by it as I was the first time, and yet it portrays a world, its people and their actions I'll never know, and probably wouldn't want to know either. Some people I know can't watch any film or TV programme a second time and are puzzled when I can - but then could listen with pleasure to a piece of music for a thousandth time.
Lubitsch's peerless masterpiece about two crooks (Gaston and Lily) moving amongst high society, falling in love with each other, with high society and with high society in the attractive shape of rich businesswoman Madame Colet falling in love with Gaston is a witty, charming, sophisticated, erudite, relentless, sparkling etc comedy that by the finish has had the effect of defragmenting my mind and deleting the real world for a short while - no mean feat! Every second of every scene carries it's witticisms, not a moment is wasted from the dignified opening with the title song fading into the rubbish boat on the Grand Canal in Venice to the swift orgasmic climax in the taxi in Paris. At the beginning when the stricken Monsieur Philiba rises and falls to the floor of his hotel room again and the Neapolitan music lulls you across a cheesy model set to where the smoking Gaston is urbanely discussing cocktails with a waiter you should know you are in for something special. Ultra demure Kay Francis gets to says Divine twice in a row! Even looking at nothing but a clock for a minute carries a soundtrack bulging with wit and innuendo. Something as unimportant as Herbert Marshall apparently running up and down Kay Francis's stairs (on camera, in mirrors or in sound only) turns out to be an in-joke - he had only one leg. Other running gags make you smile after the film has long finished, such as Positively Tonsils and No Potatoes. And to think about this film even years later it's always with the lilting, insistent, mocking romantic background music! But I could go on and on, there's enough in this for 10 films of today to borrow if they could make them like this any more. "Frasier" on TV has been the closest in sophisticated comedy in recent times, but even so it couldn't match TIP's compact inventiveness. Out of the 97 million movies I've watched this is definitely in my top 5 favourites.
It's a pity that so many people can so easily be put off by black and white photography and bygone stars who they've never heard of; in this case what they're missing out on is near perfection, and again another film that will still be available when all of the undisciplined uncensored in-your-face films of today are forgotten.
Lubitsch's peerless masterpiece about two crooks (Gaston and Lily) moving amongst high society, falling in love with each other, with high society and with high society in the attractive shape of rich businesswoman Madame Colet falling in love with Gaston is a witty, charming, sophisticated, erudite, relentless, sparkling etc comedy that by the finish has had the effect of defragmenting my mind and deleting the real world for a short while - no mean feat! Every second of every scene carries it's witticisms, not a moment is wasted from the dignified opening with the title song fading into the rubbish boat on the Grand Canal in Venice to the swift orgasmic climax in the taxi in Paris. At the beginning when the stricken Monsieur Philiba rises and falls to the floor of his hotel room again and the Neapolitan music lulls you across a cheesy model set to where the smoking Gaston is urbanely discussing cocktails with a waiter you should know you are in for something special. Ultra demure Kay Francis gets to says Divine twice in a row! Even looking at nothing but a clock for a minute carries a soundtrack bulging with wit and innuendo. Something as unimportant as Herbert Marshall apparently running up and down Kay Francis's stairs (on camera, in mirrors or in sound only) turns out to be an in-joke - he had only one leg. Other running gags make you smile after the film has long finished, such as Positively Tonsils and No Potatoes. And to think about this film even years later it's always with the lilting, insistent, mocking romantic background music! But I could go on and on, there's enough in this for 10 films of today to borrow if they could make them like this any more. "Frasier" on TV has been the closest in sophisticated comedy in recent times, but even so it couldn't match TIP's compact inventiveness. Out of the 97 million movies I've watched this is definitely in my top 5 favourites.
It's a pity that so many people can so easily be put off by black and white photography and bygone stars who they've never heard of; in this case what they're missing out on is near perfection, and again another film that will still be available when all of the undisciplined uncensored in-your-face films of today are forgotten.
- Spondonman
- 10 de jul. de 2004
- Link permanente
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- How long is Trouble in Paradise?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Trouble in Paradise
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 519.706 (estimativa)
- Faturamento bruto mundial
- US$ 345
- Tempo de duração1 hora 23 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was Ladrão de Alcova (1932) officially released in India in English?
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