Casar por Azar

Título original: No Man of Her Own

1932
Approved
1 h 25 min

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Clark Gable and Carole Lombard in Casar por Azar (1932)

Adicionar um enredo no seu idiomaAn on-the-lam New York card shark marries a small-town librarian who thinks he's a businessman.An on-the-lam New York card shark marries a small-town librarian who thinks he's a businessman.An on-the-lam New York card shark marries a small-town librarian who thinks he's a businessman.

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6,6/10

1,7 mil

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Veja as informações de produção no IMDbPro

Fotos24

+ 16

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Curiosidades
Although Carole Lombard and Clark Gable later became one of Hollywood's most famous couples, they were completely indifferent to one another during the making of this film. It was not until several years later that they met again and fell in love and got married. This was Gable and Lombard's only film together.

Erros de gravação
Early in the movie, Babe takes a taxi; there is a very clear view of the front hood of the cab, with the telephone number of the cab company. Later in the movie, Babe calls his wife with his new office phone number. He looks at the dial of his new phone and gives her the telephone number of the cab company.

Citações
Babe Stewart: Do your eyes bother you?
Connie: No. Why?
Babe Stewart: They bother me!

Cenas durante ou pós-créditos
The cast is shown on a hand of poker cards, with the leads' faces shown as the various cards.

Conexões
Featured in The Love Goddesses (1965)

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Avaliação em destaque

6/10

If The Hollywood Moguls Had Only Known

No Man of Her Own is a pleasant film, nothing terribly bad or terribly good about it. It is remembered today as the only pairing of that star-crossed couple Clark Gable and Carole Lombard. At the time this was made Gable and Lombard were not an item. They became one about four or five years after No Man of Her Own was filmed. It's not on the top 10 list of either star.

Gable is a gambler/con artist who's forced by circumstance to beat it out of New York and he flees for a small suburb where he meets librarian Carole Lombard and marries her. That's as far as I'm going with the telling of the plot.

Lombard was with Paramount at the time this was made and Gable was on loan out from MGM. There's none of the Lombard we knew and loved in such classics as Twentieth Century or My Man Godfrey here. She's a pleasant enough screen heroine though. Gable does well in his part, but doesn't set the world on fire.

If someone had only predicted that Gable and Lombard and their marriage would be come legendary. I'm sure they would have been given a much better film property. I always felt that if Lombard had not been killed in that plane crash in 1942 she would have eventually signed with MGM and L.B. Mayer would have paired her with Gable in the way Katharine Hepburn signed with MGM after the success of Woman of the Year with Spencer Tracy. You might have had a few films to remember Gable and Lombard by.