Marido Alheio

Título original: Back Street

1932
Passed
1 h 33 min

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Adicionar um enredo no seu idiomaA woman's love for and devotion to a married man results in her being relegated to the "back streets" of his life.A woman's love for and devotion to a married man results in her being relegated to the "back streets" of his life.A woman's love for and devotion to a married man results in her being relegated to the "back streets" of his life.

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7,0/10

1,2 mil

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Curiosidades
This picture is based on a novel by the popular writer Fannie Hurst. It's interesting that her story was about the stresses of a clandestine life while married. In 1915 she secretly married a Russian émigré pianist. She hid the marriage from the public, keeping her maiden name and separate residences. It became a scandal after it was discovered in 1920. Hurst wouldn't budge. She maintained her name, and her own home, until his death in 1952. She mourned his loss for the remaining 16 years of her life, writing letters to him weekly and always sporting a calla lily, the first flower he'd sent her.

Citações
Ray Schmidt: I know myself so well: it's all the way or zero with me.

Cenas durante ou pós-créditos
Cincinnati - in the good old days before the Eighteenth Amendment

Conexões
Featured in The Universal Story (1996)

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Avaliação em destaque

7/10

Signs Of Reality In Dunne's Performance

This Stahl weeper stars Irene Dunne as John Boles' kept woman, whom George Meeker wants to marry, although I thought that Meeker might be the 6th Marx Brother, judging by his look and voice.

It's from a Fanny Hurst opus, but even though the script is not as intelligent as yesterday's Seed, it's a much better movie. It's tighter -- ten minutes shorter -- with a beautiful set-piece opening which purports to be Cincinnati in 1907, complete with band shell, no automobiles and plenty of horses -- spotless streets, despite the horses. Was you ever in Cincinnati, Charlie?

I still don't like soapers, but Irene's oh-well-it-is-what-it-is attitude when she can't help lovin' dat man o' someone else's is far more affecting than the typical overwrought attitude.