Quando o Mundo Dança

Título original: Dance, Fools, Dance

1931
Approved
1 h 20 min

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Joan Crawford in Quando o Mundo Dança (1931)

Adicionar um enredo no seu idiomaAfter the death of her father and loss of the family fortune, Bonnie (Joan Crawford) gets a job as a cub reporter while her brother (William Bakewell) becomes involved in bootlegging.After the death of her father and loss of the family fortune, Bonnie (Joan Crawford) gets a job as a cub reporter while her brother (William Bakewell) becomes involved in bootlegging.After the death of her father and loss of the family fortune, Bonnie (Joan Crawford) gets a job as a cub reporter while her brother (William Bakewell) becomes involved in bootlegging.

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6,3/10

1,3 mil

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Fotos46

+ 40

Elenco principal26

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Joan Crawford

Bonnie

Cliff Edwards

Bert Scranton

Lester Vail

William Bakewell

Rodney

William Holden

Stanley Jordan

Clark Gable

Jake Luva

Earle Foxe

Wally
(as Earl Foxe)

Purnell Pratt

Parker
(as Purnell B. Pratt)

Hale Hamilton

Selby

Natalie Moorhead

Della

Joan Marsh

Sylvia

Russell Hopton

Whitey

Ernie Adams

Luva's Henchman
(não creditado)

Sidney Bracey

Albert
(não creditado)

Drew Demorest

Yacht Waiter
(não creditado)

James Donlan

Clinton
(não creditado)

Ann Dvorak

Chorus Girl
(não creditado)

Sherry Hall

Reporter
(não creditado)

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Curiosidades
"Dance, Fools, Dance" is clearly based on two infamous incidents in Chicago crime history: the 1929 St. Valentine's Day Massacre in a garage and the June 9, 1930 murder of Chicago Tribune reporter Jake Lingle, who was shot while heading to a train station. However, unlike the movie's Bert Scranton, Lingle was a shady character who played both sides of the law and had parlayed a $65 a week salary into a $60,000 income. In journalistic terms, Lingle was known as a legman who would telephone in the salient details of the story which would be actually written by a rewrite man. This is what happens when Joan Crawford's Bonnie phones in her story after the shootout.

Erros de gravação
When in the newsroom Scranton tells Bonnie that if they had a chance they would cut the Lord's Prayer to a one-line squib and he quotes, "Now I lay me down to sleep". But the line is not from the Lord's Prayer, it is actually the first line and title of the bedtime prayer, "Now I Lay Me Down To Sleep".

Citações
Bob: You know I'm very much in love with you, don't you?
Bonnie: Are you?
Bob: I'm crazy about you, and you know it.
Bonnie: I didn't know.
Bob: Well, you know it now. What about it?
Bonnie: That's it... what?
Bob: Going to make me stand on ceremony?
Bonnie: You think I'm so old-fashioned?
Bob: I hope not.
Bonnie: You're right. I'm not. I believe in... in trying love out.
Bob: On approval?
Bonnie: Yes, on approval.
[they kiss as the scene fades out]

Conexões
Edited into Hollywood: The Dream Factory (1972)

Trilhas sonoras
Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 'Moonlight'
(1800-01) (uncredited)
Written by Ludwig van Beethoven
Played on piano by Natalie Moorhead
Reprised on piano by Joan Crawford in a swing version

Avaliações de usuários41

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Avaliação em destaque

5/10

You got me going, sister

Bonnie and Rodney Jordan (Joan Crawford, William Bakewell) lose everything in the stock market crash. First their father dies of a heart attack and then they discover why: he lost his entire fortune in the crash. Now broke for the first time, Bonnie and Rodney must go to work. Bonnie gets a job as a reporter. Rodney goes to work for bootlegger Jake Luva (Clark Gable). The two being on opposite sides of the law leads to inevitable conflict.

Middle-of-the-road crime drama will appeal most to fans of Crawford and Gable. It's hardly the best work of either, though. It's a pre-Code film, which sometimes is all you have to say to get some classic film fans interested in a movie. Personally I didn't see anything all that risqué in this one. An early scene of a bunch of people in their underwear going for a swim seems to get the most talk but it's pretty tame despite the description. The story is something that was done many times and better over the years, in one variation or another. The insipid romance between Joan and Lester Vail leaves a lot to be desired.