AVALIAÇÃO DA IMDb
5,9/10
852
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaHarold Bledsoe, a botany student, is called back home to San Francisco, where his late father had been police chief, to help investigate a crime wave in Chinatown.Harold Bledsoe, a botany student, is called back home to San Francisco, where his late father had been police chief, to help investigate a crime wave in Chinatown.Harold Bledsoe, a botany student, is called back home to San Francisco, where his late father had been police chief, to help investigate a crime wave in Chinatown.
Charles Middleton
- John Thorne aka The Dragon
- (as Chas. Middleton)
Will Walling
- Police Captain Walton
- (as William Walling)
Grady Sutton
- Man at Party (silent version)
- (cenas deletadas)
Brooks Benedict
- Handcuffed Prisoner at Police Station
- (não creditado)
Eddy Chandler
- Cop
- (não creditado)
Rae Daggett
- Woman Sitting in Police Station
- (não creditado)
Douglas Haig
- Buddy Lee
- (não creditado)
Edgar Kennedy
- SFPD Desk Sergeant
- (não creditado)
Tetsu Komai
- Florist Henchman
- (não creditado)
Wang Lee
- Chinaman with Queue
- (não creditado)
James B. Leong
- Florist Henchman
- (não creditado)
- …
Jim Mason
- Barry Steele
- (não creditado)
- …
Nelson McDowell
- 1st Train Passenger
- (não creditado)
Soo Hoo Sun
- Dead Chinese Man
- (não creditado)
James Wang
- Dr. Chang Gow
- (não creditado)
Enredo
Você sabia?
- CuriosidadesBegan shooting as a silent in August, 1928 at Metropolitan Studios, it would become an agonizingly long and complicated production. It was finally released on October 12, 1929 as a talkie after largely being re-shot with another director - Clyde Bruckman as a talkie (marking the first time Lloyd worked from a script) and painstakingly edited down from an original 16-reels (some 2 hours and forty-five minutes) to 12-reels. The silent version cost $521,000 and another $281,000 was spent on the sound negative. While the novelty of hearing Lloyd speak made it his largest grossing hit since O Calouro (1925), those steep production costs resulted in a huge drop in net profits from his earlier features.
- Erros de gravaçãoIn many of the dubbed scenes, the voices are out of synchronization with the actors' lip movements.
- Citações
Billie Lee: I just put my foot in the wrong place.
Harold Bledsoe: Oh, you did. Well, if you do it again, I'll put my foot in the right place!
- Versões alternativasThere is an all-silent version of this film distributed to unwired cinemas which includes more of the original "silent" version and is adapted with inter-titles for the newer sound sequences.
- ConexõesFeatured in American Masters: Harold Lloyd: The Third Genius (1989)
Avaliação em destaque
Don't get me wrong, I love Harold Lloyd - both his talkies and silents. However, "Welcome Danger" was a real disappointment. It was Lloyd's first talking picture, started as a silent. When he finished he realized that sound had "arrived" and reshot it as a talking picture.
The awkwardness of the picture is no worse than any other early sound film, but the big problem is Harold's persona. As usual, he is the eager beaver trying to make good, but for some reason he makes his character out to be one of the most annoying personalities in film history. He is outright mean to people who really don't deserve it.
Lloyd plays Harold Bledsoe, a college student studying botany. His father is chief of police in San Francisco. After his father dies, Harold returns home to help the force with a crime wave in Chinatown. However, he becomes fascinated with fingerprint technology and soon has the department tied in knots with all of his cataloguing and fingerprinting. Soon the police department that welcomed him so heartily would do anything to get him out of their collective hair.
It is a shame this isn't on DVD because it is not THAT bad, and it is an important milestone in cinema history since it was Lloyd's very first talking picture. "Feet First" was his second talking effort, and a much better film too. One of the real treats of this film is an unbilled appearance by Edgar Kennedy as a desk sergeant in the San Francisco police department. He spends a long time on screen for him to have no credit whatsoever, but he does a wonderful job of playing the irascible beat cop we see in his later films.
The awkwardness of the picture is no worse than any other early sound film, but the big problem is Harold's persona. As usual, he is the eager beaver trying to make good, but for some reason he makes his character out to be one of the most annoying personalities in film history. He is outright mean to people who really don't deserve it.
Lloyd plays Harold Bledsoe, a college student studying botany. His father is chief of police in San Francisco. After his father dies, Harold returns home to help the force with a crime wave in Chinatown. However, he becomes fascinated with fingerprint technology and soon has the department tied in knots with all of his cataloguing and fingerprinting. Soon the police department that welcomed him so heartily would do anything to get him out of their collective hair.
It is a shame this isn't on DVD because it is not THAT bad, and it is an important milestone in cinema history since it was Lloyd's very first talking picture. "Feet First" was his second talking effort, and a much better film too. One of the real treats of this film is an unbilled appearance by Edgar Kennedy as a desk sergeant in the San Francisco police department. He spends a long time on screen for him to have no credit whatsoever, but he does a wonderful job of playing the irascible beat cop we see in his later films.
- AlsExGal
- 23 de out. de 2009
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Welcome Danger
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 979.828 (estimativa)
- Tempo de duração1 hora 53 minutos
- Cor
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