AVALIAÇÃO DA IMDb
7,4/10
3,8 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaDespite her mother's objections, the naive young daughter of a show boat captain is thrust into the limelight as the company's new leading lady.Despite her mother's objections, the naive young daughter of a show boat captain is thrust into the limelight as the company's new leading lady.Despite her mother's objections, the naive young daughter of a show boat captain is thrust into the limelight as the company's new leading lady.
- Prêmios
- 1 vitória e 1 indicação no total
Maude Allen
- Fat Woman
- (não creditado)
Enredo
Você sabia?
- CuriosidadesSpecial permission had to be granted from the Hays Office in order to retain the famous miscegenation (interracial marriage) sequence in the movie. Miscegenation was banned as a film subject, and had been excluded from Boêmios (1929).
- Erros de gravaçãoWhen Joe begins to sing "Ol' Man River", he picks up a board and begins to whittle it. He slices off two pieces, and then the camera switches to an oblique shot, but now the board is whittled to a slender rod.
- Cenas durante ou pós-créditosIn the opening credits, there is a cardboard cutout display of a show boat parade, with cutout paper townspeople watching it, on a moving turntable. The parade revolves past the camera carrying cardboard banners on which are printed the title and other credits. Most of the parade figures are simply figures, but among them cutouts of Paul Robeson and Helen Morgan can be seen. (The appearance of these figures does not coincide with the appearance of their names onscreen.) In the background shadows of a paddlewheel and a riverboat can be seen.
- ConexõesFeatured in The All Talking, All Singing, All Dancing Show (1973)
- Trilhas sonorasCotton Blossom
(1927) (uncredited)
Music by Jerome Kern
Lyrics by Oscar Hammerstein II
Sung by offscreen mixed chorus (during opening credits) and in opening scene by mixed chorus of dock workers
Avaliação em destaque
Stunning, astounding achievement for 1930s Hollywood cinema. An early talkie musical that boasts excellent sound and breathtaking cinematography that points the way to the modern era of movies, including closeups and all sorts of rolling and perspective shots that were new in their time. This adaptation of the legendary Broadway musical (considered the first modern musical) is shortened somewhat to keep it around two hours, so the plot often seems to race through some pretty dramatic events. Veterans from the stage version appear in key roles, including Charlie Winninger as Captain Andy, Paul Robeson as Joe and Helen Morgan as Julie. While there are several cringe-worthy "Negro" moments, including Irene Dunne performing in black face, at the very least Robeson is handled with respect throughout. I must be honest and admit I am not crazy about Dunne as Magnolia, although Allan Jones makes a fine Gaylord Ravenal. I think Universal might have found someone a bit softer around the edges to play Magnolia, as much as I admire most of Dunne's film work. This is an almost perfect movie, and it is amazing that it was shot on back lots. As with Edna Ferber's stories, on which it is based, SHOW BOAT will transport you to another time and place, at least for two hours.
- ctomvelu1
- 5 de mai. de 2012
- Link permanente
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Detalhes
- Tempo de duração1 hora 53 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was Magnólia: O Barco das Ilusões (1936) officially released in India in English?
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