Uma equipe de filmagem vai a uma ilha tropical para uma locação exótica e descobre um macaco colossal. Ele é capturado e levado de volta à cidade de Nova York para exibição pública.Uma equipe de filmagem vai a uma ilha tropical para uma locação exótica e descobre um macaco colossal. Ele é capturado e levado de volta à cidade de Nova York para exibição pública.Uma equipe de filmagem vai a uma ilha tropical para uma locação exótica e descobre um macaco colossal. Ele é capturado e levado de volta à cidade de Nova York para exibição pública.
- Prêmios
- 3 vitórias e 8 indicações no total
Steve Clemente
- Witch King
- (as Steve Clemento)
Walter Ackerman
- Reporter
- (não creditado)
James Adamson
- Native Child
- (não creditado)
Van Alder
- Member of Ship's Crew
- (não creditado)
Etta Mae Allen
- Native
- (não creditado)
Frank Angel
- Reporter
- (não creditado)
Roscoe Ates
- Press Photographer
- (não creditado)
Ralph Bard
- Member of Ship's Crew
- (não creditado)
Reginald Barlow
- Ship's Engineer
- (não creditado)
Leo Beard
- Member of Ship's Crew
- (não creditado)
Enredo
Você sabia?
- CuriosidadesThe film grossed $90,000 its opening weekend, the biggest opening ever at the time.
- Erros de gravação(at around 1h 14 mins) A Skull Island resident jumps from a hut and falls beside a domed chicken cage, which then hinges backwards and catches the actor's wig, taking it off his head, and remaining on top of the cage.
- Citações
[last lines]
Police Lieutenant: Well, Denham, the airplanes got him.
Carl Denham: Oh no, it wasn't the airplanes. It was beauty killed the beast.
- Cenas durante ou pós-créditosOpening Card: And the prophet said: "And lo, the beast looked upon the face of beauty. And it stayed its hand from killing. And from that day, it was as one dead." Old Arabian Proverb
- Versões alternativasOn November 22, 2005, Turner Classic Movies premiered a version with a four minute overture added. This increased the run time to slightly over 104 minutes. This is also the U.S. two-disc DVD collector's edition version. Note, however, that the overture was not part of the film's original exhibition. According to John Morgan's notes on the score's re-construction, the overture was not written by Max Steiner. Morgan writes, "Another rumour has recently surfaced that Steiner composed an Overture for the film's world premiere opening in 1933 - there was even a recent recording claiming to be this long-lost Overture. Hearing the recorded "proof" of this Overture confirmed our suspicions: it was merely those same few acetates that have been floating around for years, professionally edited into a short Suite and called an Overture. In conversations I had with people who attended and remembered this opening, there was no music from the film used in any of these shows." Source: John Morgan, "Reconstruction Notes by John Morgan," Steiner: King Kong. Marco Polo (8.223763), 1997, pg. 21 (near bottom).
- ConexõesEdited into O Fantasma dos Mares (1943)
Avaliação em destaque
Ignore the cranks who seem to look for subliminal messages and underlying hidden meanings in everything. This is a monster movie and a love story and never pretends to be everything else.
Hollywood film-makers of today could certainly learn a few things from watching it with its well-written characters, fast-paced and dynamic script which contains barely a dull moment, excellent dialogue and hauntingly memorable music. Willis O'Brien's animation is at its best and Kong himself comes across as a genuine character and not an unsympathetic one. Scenery is also imaginative, with marvellous attention paid to detail, and the monsters are well-designed.
Still the best monster film ever made, if not the best film.
Hollywood film-makers of today could certainly learn a few things from watching it with its well-written characters, fast-paced and dynamic script which contains barely a dull moment, excellent dialogue and hauntingly memorable music. Willis O'Brien's animation is at its best and Kong himself comes across as a genuine character and not an unsympathetic one. Scenery is also imaginative, with marvellous attention paid to detail, and the monsters are well-designed.
Still the best monster film ever made, if not the best film.
- G.Spider
- 13 de jun. de 1999
- Link permanente
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Detalhes
Bilheteria
- Orçamento
- US$ 670.000 (estimativa)
- Faturamento bruto mundial
- US$ 651
- Tempo de duração1 hora 40 minutos
- Cor
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