Adicionar um enredo no seu idiomaA re-edited version of the 'modern' story from Intolerância (1916).A re-edited version of the 'modern' story from Intolerância (1916).A re-edited version of the 'modern' story from Intolerância (1916).
Fotos
Mae Marsh
- The Little Dear One
- (cenas de arquivo)
Robert Harron
- The Boy
- (cenas de arquivo)
Miriam Cooper
- The Friendless One
- (cenas de arquivo)
Vera Lewis
- Miss Mary T. Jenkins
- (cenas de arquivo)
Sam De Grasse
- Arthur Jenkins
- (cenas de arquivo)
Clyde E. Hopkins
- Arthur Jenkins' Secretary
- (cenas de arquivo)
F.A. Turner
- The Dear One's Father
- (cenas de arquivo)
- (as Fred Turner)
Walter Long
- The Musketeer of the Town
- (cenas de arquivo)
Ralph Lewis
- The Governor
- (cenas de arquivo)
Tom Wilson
- The Kindly Heart
- (cenas de arquivo)
A.W. McClure
- The Priest
- (cenas de arquivo)
Lloyd Ingraham
- The Judge
- (cenas de arquivo)
William Brown
- The Warden
- (cenas de arquivo)
- (as William A. Brown)
Max Davidson
- The Kindly Neighbor
- (cenas de arquivo)
Alberta Lee
- The Wife of the Kindly Neighbor
- (cenas de arquivo)
Frank Brownlee
- The Brother of the Girl
- (cenas de arquivo)
Barney Bernard
- Attorney for the Boy
- (cenas de arquivo)
Luray Huntley
- An Uplifter
- (cenas de arquivo)
Enredo
Você sabia?
- CuriosidadesA print of this film survives in the UCLA Film and Television Archives.
- ConexõesEdited from Intolerância (1916)
Avaliação em destaque
THE MOTHER AND THE LAW was a re-released version of the modern arc from Griffith's 1916 INTOLERANCE.
The film does very well as a standalone film with only a few glitches where something seems left out (odd references to things we have not seen) or where blanks were left in as the episodes were stitched together from the original film.
In any case the performances remain quite strong with Mae Marsh scoring well as "the Dear One." Even the staccato ending from the original still works as one consecutive piece with Robert Harron going to the gallows. Miriam Cooper, as "the Friendless One" has a much bigger role than I remembered and was quite beautiful. I also had forgotten the incredible closeups Griffith gives the three stars.
Oddly, one "flashback" scene remains from INTOLERANCE. In the middle of the story we get a short scene from the Nazarene arc with the adulterous woman about to be stoned (shades of Iran!).
Strong story and very well done. Quite an indictment of "uplifting" societies as well as the sociology of slums.
Co-stars include Vera Lewis, Ralph Lewis, Sam DeGrasse, Walter Long, Mary Aldon, Marguerite Marsh, Max Davidson, and Kate Bruce.
The film does very well as a standalone film with only a few glitches where something seems left out (odd references to things we have not seen) or where blanks were left in as the episodes were stitched together from the original film.
In any case the performances remain quite strong with Mae Marsh scoring well as "the Dear One." Even the staccato ending from the original still works as one consecutive piece with Robert Harron going to the gallows. Miriam Cooper, as "the Friendless One" has a much bigger role than I remembered and was quite beautiful. I also had forgotten the incredible closeups Griffith gives the three stars.
Oddly, one "flashback" scene remains from INTOLERANCE. In the middle of the story we get a short scene from the Nazarene arc with the adulterous woman about to be stoned (shades of Iran!).
Strong story and very well done. Quite an indictment of "uplifting" societies as well as the sociology of slums.
Co-stars include Vera Lewis, Ralph Lewis, Sam DeGrasse, Walter Long, Mary Aldon, Marguerite Marsh, Max Davidson, and Kate Bruce.
- drednm
- 3 de out. de 2010
- Link permanente
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Detalhes
- Tempo de duração1 hora 35 minutos
- Cor
- Mixagem de som
- Proporção
- 1.33 : 1
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Principal brecha
By what name was The Mother and the Law (1919) officially released in Canada in English?
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