Dinamite

Título original: Dynamite

1929
Passed
2 h 9 min

AVALIAÇÃO DA IMDb

SUA AVALIAÇÃO

Charles Bickford and Kay Johnson in Dinamite (1929)

Adicionar um enredo no seu idiomaWealthy Cynthia is in love with not-so-wealthy Roger, who is married to Marcia. The threesome is terribly modern about the situation, and Marcia will gladly divorce Roger if Cynthia agrees t... Ler tudoWealthy Cynthia is in love with not-so-wealthy Roger, who is married to Marcia. The threesome is terribly modern about the situation, and Marcia will gladly divorce Roger if Cynthia agrees to a financial settlement. But Cynthia's wealth is in jeopardy because her trust fund will ... Ler tudoWealthy Cynthia is in love with not-so-wealthy Roger, who is married to Marcia. The threesome is terribly modern about the situation, and Marcia will gladly divorce Roger if Cynthia agrees to a financial settlement. But Cynthia's wealth is in jeopardy because her trust fund will expire if she is not married by a certain date. To satisfy that condition, Cynthia arrange... Ler tudo

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

6,8/10

512

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Indicado a 1 Oscar
- 1 vitória e 1 indicação no total

Fotos22

+ 15

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Curiosidades
Carole Lombard was replaced during filming, but can still be seen in the released print.

Citações
Hagon Derk: Ahhhh... bull!

Cenas durante ou pós-créditos
Film Title is shown as the word DYNAMITE written on a box of..... dynamite, after being set down by a worker.

Versões alternativas
MGM also released this as a silent movie.

Conexões
Edited into Histoire(s) du cinéma: Fatale beauté (1994)

Trilhas sonoras
How Am I to Know
(1929) (uncredited)
Music by Jack King
Lyrics by Dorothy Parker
Played on guitar and sung by Russ Columbo in prison
Played on radio and hummed and sung by Kay Johnson
Played on piano as background music and played at the end

Avaliações de usuários18

Avaliação em destaque

Great first "talkie"

DeMille works wonders with his first "talkie," avoiding the complications most directors encountered during this transition period. The cinematography, sound and set design are excellent, and the acting toned down the over-dramatization that most early "sound" films wallowed in. Just view DeMille's "King of Kings," directed two years earlier, to witness the advancements being made in film at the time. From the elaborate Deco rooms, to a shanty neighborhood and mine shaft, DeMille puts on quite a show. My only complaint would be the opening courtroom scene, which definitely does NOT set the scene for the rest of the movie. I wonder if those "aero wheels" were indeed a trend in Europe at the time; obviously, the sport didn't catch on.