Arsenal

1929
18
1 h 33 min

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Vladimir Stenberg and Georgii Stenberg in Arsenal (1929)

Adicionar um enredo no seu idiomaA soldier returns to Kyiv after surviving a train crash and encounters clashes between nationalists and collectivists.A soldier returns to Kyiv after surviving a train crash and encounters clashes between nationalists and collectivists.A soldier returns to Kyiv after surviving a train crash and encounters clashes between nationalists and collectivists.

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AVALIAÇÃO DA IMDb

7,2/10

2,4 mil

SUA AVALIAÇÃO

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Prêmios
- 1 vitória no total

Fotos16

+ 9

Elenco principal15

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Semyon Svashenko

Timosh - the Ukrainian
(as S. Svashenko)

Georgi Khorkov

A Red Army Soldier
(as G. Khorkov)

Amvrosi Buchma

Laughing-Gassed German Soldier
(as A. Buchma)

Dmitri Erdman

A German Officer
(as D. Erdman)

Sergey Petrov

A German Soldier
(as S. Petrov)

M. Mikhajlovsky

A Nationalist
(as Mikhajlovsky)

Aleksandr Evdakov

Tsar Nikolas II
(as A. Evdakov)

Luciano Albertini

Raffaele
(não creditado)

Nikolai Kuchinsky

Symon Petliura
(não creditado)

Pyotr Masokha

Workman
(não creditado)

Osip Merlatti

The actor Sadovsky
(não creditado)

Nikolai Nademsky

Grandpa
(não creditado)

Aleksandr Podorozhnyy

Pavloo
(não creditado)

T. Wagner

A Nurse
(não creditado)

Boris Zagorsky

Dead Soldier
(não creditado)

Direção
- Aleksandr Dovzhenko
Roteirista
- Aleksandr Dovzhenko
Elenco e equipe completos
Produção, bilheteria e muito mais no IMDbPro

Enredo

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Curiosidades
The film concerns an episode in the Russian Civil War in 1918 in which the Kiev Arsenal January Uprising of workers aided the besieging Bolshevik army against the Ukrainian national Parliament Central Rada who held legal power in Ukraine at the time.

Erros de gravação
In a scene early in the film, a soldier lies dead, covered with sand, but the sand can be seen to rise and fall with the actor's breathing.

Conexões
Edited into Le tombeau d'Alexandre (1993)

Avaliações de usuários19

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Avaliação em destaque

10/10

Kinetic, shocking, moving.

A group of Ukranian soldiers return from World War One to more fighting in the Communist Revolution.

This is an extraordinary, kinetic and moving piece of film making, full of metaphor and of great relevance for people throughout the world today. It isn't necessary to understand the complexities of the times to understand the rich emotional resonance. Particularly innovative is Dovzhenko's use of rhythm and inter-spliced scenes.

I was lucky enough to see a restored version of this at the Cambridge Film Festival 2003, with live musical accompaniment. Particularly memorable scenes are the undefeatable worker, the laughing gas, and the horse team rushing to take a fallen comrade to burial before returning to battle.