O Anjo das Ruas

Título original: Street Angel

1928
Not Rated
1 h 42 min

AVALIAÇÃO DA IMDb

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Adicionar um enredo no seu idiomaA woman on the run from the law finds her past catching up to her just as she is on the verge of true happiness.A woman on the run from the law finds her past catching up to her just as she is on the verge of true happiness.A woman on the run from the law finds her past catching up to her just as she is on the verge of true happiness.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

7,3/10

2,7 mil

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Ganhou 1 Oscar
- 4 vitórias e 2 indicações no total

Fotos46

+ 38

Elenco principal21

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Janet Gaynor

Angela

Charles Farrell

Gino

Natalie Kingston

Lisetta

Henry Armetta

Masetto

Guido Trento

Neri -- Police Sergeant

Alberto Rabagliati

Policeman
(as Alberto Ragabliati)

Demetrius Alexis

Museum Waiter
(não creditado)

Landlady
(não creditado)

Gino Conti

Policeman
(não creditado)

Dick Dickinson

Bimbo
(não creditado)

Italia Frandi

Venezia Frandi

Frankie Genardi

Little Boy
(não creditado)

Helena Herman

Andrea
(não creditado)

Direção
- Frank Borzage
Roteiristas
Elenco e equipe completos
Produção, bilheteria e muito mais no IMDbPro

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Curiosidades
By a fluke, this film received Oscar nominations at both the First and Second Academy Awards. It received a Best Actress nomination for Janet Gaynor in 1929, and nominations for Best Art Direction and Cinematography in 1930. It is the only American film to be nominated for Academy Awards in two different years. (A few foreign-language films have received nominations in different years.)

Citações
Gino: Love is like the measles. When it comes, you cannot stop it.

Conexões
Featured in Os Primeiros 50 Anos da 20th Century-Fox (1997)

Trilhas sonoras
Angela Mia (My Angel)
(uncredited)
Music by Erno Rapee
Lyrics by Lew Pollack

Avaliações de usuários34

Avaliação em destaque

Borzage at his Borzagiest

Melodramatic, atmospheric romance with some great tracking shots that look like they influenced Scorsese decades later. Gaynor and Farrell, are extraordinarily well used; this film probably epitomises their appeal better than any other. He's all youthful exuberance, and she's all liquid-eyed yearning. The print I saw had a musical soundtrack with sound effects -- very soupy, but for a take-it-or-leave-it love story like this, just right.