Nobreza

Título original: Mockery

1927
Passed
1 h 15 min

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Ricardo Cortez and Barbara Bedford in Nobreza (1927)

Adicionar um enredo no seu idiomaDuring the Russian Revolution, a mentally challenged peasant saves then obsesses over a beautiful countess.During the Russian Revolution, a mentally challenged peasant saves then obsesses over a beautiful countess.During the Russian Revolution, a mentally challenged peasant saves then obsesses over a beautiful countess.

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6,8/10

591

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Prêmios
- 2 vitórias no total

Fotos21

+ 14

Elenco principal16

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Lon Chaney

Sergei

Ricardo Cortez

Captain Dimitri

Barbara Bedford

Countess Tatiana Alexandrova

Mack Swain

Vladimir Gaidaroff

Emily Fitzroy

Mrs. Gaidaroff

Károly Huszár

Ivan - the Gatekeeper
(as Charles Puffy)

Kai Schmidt

Butler

Johnny Mack Brown

Russian Officer
(não creditado)

Albert Conti

Military Commandant at Novokursk
(não creditado)

Jules Cowles

Peasant Who Robs Tatiana
(não creditado)

Tiny Jones

Revolutionist at Protest
(não creditado)

Frank Leigh

Outlaw Peasant in Cabin
(não creditado)

Russ Powell

Man Taking Sergei to Ivan
(não creditado)

Bud Rae

Russian Soldier
(não creditado)

Sam Savitsky

Military Guard
(não creditado)

Michael Visaroff

Cossack Whipping Sergei
(não creditado)

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Curiosidades
This film was preserved by the George Eastman Museum in Rochester, New York after having initially been thought as lost until a copy was discovered in the 1970s. It was subsequently fully restored by The Film Foundation, established by director Martin Scorsese and others in 1990.

Citações
Capt. Dimitri: [to the Countess] I apologize for my lips, Countess - and I apologize for my eyes - but I cannot apologize for my heart.

Conexões
Referenced in O Homem das Mil Caras (1957)

Avaliações de usuários23

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Avaliação em destaque

7/10

beauty and the beast

It's the chaos of the Russian revolution. Countess Tatiana Alexandrova (Barbara Bedford) is alone and on foot, desperate to get to Novokursk. She encounters peasant Sergei (Lon Chaney) who is picking over the corpses of dead soldiers. She hires him as her guide and promises to be his friend upon arrival. They pretend to be a married couple when they run into revolutionaries.

This is a fascinating exposition of the Russian revolution. Neither side is right. In a way, I am a little disappointed with some of Alexandrova's actions, but it is very much indicative of the society in general. At last, there is no satisfying ending and there isn't one in the real world. I probably would have ended the movie before the final fight.