AVALIAÇÃO DA IMDb
3,9/10
17 mil
SUA AVALIAÇÃO
Uma jovem é contratada por um homem que se tornou responsável por seu sobrinho e sobrinha depois da morte de seus pais.Uma jovem é contratada por um homem que se tornou responsável por seu sobrinho e sobrinha depois da morte de seus pais.Uma jovem é contratada por um homem que se tornou responsável por seu sobrinho e sobrinha depois da morte de seus pais.
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Você sabia?
- CuriosidadesJoely Richardson (Darla Mandell) is the fourth member of her family to appear in an adaptation of the 1898 horror novella "The Turn of the Screw" by Henry James. Her grandfather Michael Redgrave played the Uncle in Os Inocentes (1961), her aunt Lynn Redgrave played the governess Miss Jane Cubberly in The Turn of the Screw (1974) and her uncle Corin Redgrave played the Professor in The Turn of the Screw (2009).
- Erros de gravaçãoThe 1994 lesson book for Flora identifies February 28th as a Tuesday and March 1st as a Wednesday. In 1994, those dates were a Monday and Tuesday, respectively.
- Cenas durante ou pós-créditosThe end credits sequence shows Kate's hand dragging across the walls as the credits roll. Halfway through, it cuts to blue figures dancing.
- ConexõesFeatured in Chris Stuckmann Movie Reviews: The Turning (2020)
- Trilhas sonorasThe Brakes
Written by Theresa Wayman (as Theresa Baker-Wayman), Emily Kokal, Jenny Lee Lindberg (as Jennifer Lindberg), Stella Mozgawa
Performed by Warpaint
Courtesy of Warpaint and KRO Records
Avaliação em destaque
I like horror movies and thrillers, I like modern takes on period pieces and classics, and I like the cast and am a fan of the director's music videos and earlier film work (i.e. The Runaways). So I expected to enjoy this update on The Turn of the Screw. I did not enjoy it, I'm sad to report. There was too little story or suspense to hold one's attention throughout, and that's a shame.
The cast certainly did their jobs -- Finn Wolfhard is no longer the nerdy little kid, and Mackenzie Davis was convincing in her role as a driven-to-the-edge tutor -- and it was visually beautiful throughout a lot of the film. But early jump scares suck a lot of the suspense out of it all. And a distinct lack of backstory/characterization leaves way too many questions about what, exactly, there is to be afraid of in the giant, creaky house. The little girl's fears are left unexplained, at least in terms of being satisfactory; the huge personality shift in the boy is sort of waved away; and the many unexplained deaths in the history of the estate are just confusing. I kept wondering if cuts had been made to the script or in the editing room, because things didn't flow at all and it really affected the atmosphere.
The ending will drive a lot of viewers to yell at the screen. Our half-full opening night theatre did a lot of groaning and saying, "You've got to be kidding me!" as the credits suddenly began to roll. Maybe that finale would've worked better had everything leading up to it actually added up to more...but unless we get a Director's Cut we'll never know. I wish I could recommend this movie. I can't. Not scary, nonsensical, and not enough to be worth the price of admission. -HV
The cast certainly did their jobs -- Finn Wolfhard is no longer the nerdy little kid, and Mackenzie Davis was convincing in her role as a driven-to-the-edge tutor -- and it was visually beautiful throughout a lot of the film. But early jump scares suck a lot of the suspense out of it all. And a distinct lack of backstory/characterization leaves way too many questions about what, exactly, there is to be afraid of in the giant, creaky house. The little girl's fears are left unexplained, at least in terms of being satisfactory; the huge personality shift in the boy is sort of waved away; and the many unexplained deaths in the history of the estate are just confusing. I kept wondering if cuts had been made to the script or in the editing room, because things didn't flow at all and it really affected the atmosphere.
The ending will drive a lot of viewers to yell at the screen. Our half-full opening night theatre did a lot of groaning and saying, "You've got to be kidding me!" as the credits suddenly began to roll. Maybe that finale would've worked better had everything leading up to it actually added up to more...but unless we get a Director's Cut we'll never know. I wish I could recommend this movie. I can't. Not scary, nonsensical, and not enough to be worth the price of admission. -HV
- prettyh-1
- 23 de jan. de 2020
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Detalhes
Bilheteria
- Orçamento
- US$ 14.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 15.472.775
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.950.045
- 26 de jan. de 2020
- Faturamento bruto mundial
- US$ 19.428.166
- Tempo de duração1 hora 34 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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