Lu está Livre

For a movie that begs a comparison to Ponyo, it barely squeaks past it in terms of it's creative presentation, but stumbles at style consistancy and plot coherency.

While nothing in the movie *doesn't* make sense, a lot of it is hard to follow due to weird pacing decisions during important events, and visual decisuons that hamper communication in favor of leaning into Yuasa's presentation style.

The music is just OK for a movie about music, and the few scenes of high energy have a peculiar disconnect from the rest of the film.

Ultimately this movie feels like it started with good intentions, but ran out of creative steam somewhere in development. If you're a big Masaki Yuasa fan, there are things here for you, but it's otherwise OK to miss.

Go watch Mind Game instead if you wanna know what this director is about.