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SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAfter observing an anomaly in space, scientists transplant human brains in to synthetic bodies and send them through the wormhole.After observing an anomaly in space, scientists transplant human brains in to synthetic bodies and send them through the wormhole.After observing an anomaly in space, scientists transplant human brains in to synthetic bodies and send them through the wormhole.
- Prêmios
- 2 vitórias no total
Kosha Engler
- Jessica 2.0
- (narração)
Wes Nike
- Jim Marcell
- (as Wesley Nike)
Tom Christian
- Carl Roberts
- (as Thomas Christian)
Julian Graham
- Jim Marcell
- (narração)
Zack Schor
- US News Anchor
- (narração)
Enredo
Você sabia?
- CuriosidadesWhen the scientists are dressed in a yellow full body suit, the masks are, in fact, diving full face snorkel masks, without the breathing tube. Even the attachment for action cameras are there.
- Erros de gravaçãoLamont states "The brain can live without a body, but the body can't live without its brain." The opposite is true. Although rare, some individuals with anencephaly (lacking most of the brain) have survived for years but a brain disconnected from its supply of oxygen and nutrients will die in minutes (barring the kind of technology available in this film (or numerous other disembodied head movies)) .
Avaliação em destaque
Gillian LaRoux is a leading manager in the international Space Agency based in London. One day, an anomaly in space appeared over the sky and they name it The Void. Assuming it to be a wormhole, the agency is preparing a secret mission to explore the phenomenon. They use an experimental cyborg project where human brains are implanted into a cybernetic body called Human 2.0.
This is Arrival without Denis Villeneuve or 2001 without Kubrick. I don't know anything about writer/director Hasraf Dulull. He seems to have a few interesting ideas and some special effect skills although he has no skills in story telling. This is a movie layout by expositions more than a plot and any character development. First, Dulull introduces Gillian but she goes into the background. Every character does the same thing. Nobody has a personal story. Nobody sticks. It's just as well since these are day players. None of them has great charisma. The narrative is mechanical only to lay out the plot such as there is one. While I like the ideas and final reveal, this needs a story and fleshed out characters.
This is Arrival without Denis Villeneuve or 2001 without Kubrick. I don't know anything about writer/director Hasraf Dulull. He seems to have a few interesting ideas and some special effect skills although he has no skills in story telling. This is a movie layout by expositions more than a plot and any character development. First, Dulull introduces Gillian but she goes into the background. Every character does the same thing. Nobody has a personal story. Nobody sticks. It's just as well since these are day players. None of them has great charisma. The narrative is mechanical only to lay out the plot such as there is one. While I like the ideas and final reveal, this needs a story and fleshed out characters.
- SnoopyStyle
- 26 de mai. de 2018
- Link permanente
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